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Tuesday, August 24, 2010

Filed under: *VIDEO*GentryMedia Sister SitesProPhoto CoalitionHardwareProduction

Sony’s Full Frontal Assault On the HDSLR Market Continues…

Clint Milby | 08/24

Two new cameras with truly innovative features

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If there is a war between manufacturers for the greatest share of the HDSLR market, then Sony is launching a shock and awe campaign with no end in sight. Their latest assault, the second in a month, is the announcement of two new DSLRs, the α55 and α33. These two cameras seem to aggressively target the Canon T2i and 7D head on.

On the outside, they look like any other DSLR. Upon closer examination, the new Sony α55 and α33 clearly have enough new features to distinguish themselves from other HDSLRs. 

HD Video

The α55’s 16.2 Megapixel Exmor™ APS HD CMOS sensor and the 14.2MP sensor for the α33 provide a very nice shallow depth of field. Like the other Sony cameras, they record AVCHD: 1920 x 1080i (16:9) and MP4: 1440 x 1080 (16:9) / 640 x 480 (4:3). Sony is also giving us a maximum record time of a whopping 29 minutes!  The emphasis of this in their marketing material is a clear shot in the face to the Canon 7D with its mere twelve minutes of recording time.

In-Camera Stabilization

A huge feature for HDSLR shooters is an in-body camera stabilization system providing up to four exposure steps of anti-shake correction when shooting handheld.

Autofocus Even While Shooting Video

Sony debuts their 15-point phase-detection autofocus system providing fast and accurate AF tracking that claims to keep even moving images in focus.   

Simultaneous “Live” View From the LCD and Viewfinder

Both the α55 and α33 use Sony’s new “Translucent Mirror Technology”. Essentially, it’s a fixed, translucent mirror that ‘splits’ the optical pathway between the main image sensor and a separate phase-detection autofocus sensor. Unlike other DSLRs where the raised mirror prevents light from reaching the optical viewfinder and vice versa, you can use both the LCD or the electronic viewfinder at the same time. I have to wonder how this will affect battery life. No word yet, but I hope Sony has upgraded their batteries to handle the additional monitor.

Tiltable Swivel LCD

The three inch LCD tilts and swivels to maximum 270 degrees.  The electronic viewfinder with 1.15 million dot resolution shows 100% frame coverage. Adjustments to exposure, depth of field and color can be previewed instantly in the viewfinder or on the LCD.

Multiple Storage Options

Both cameras can either use the Memory Stick PRO Duo™, Memory Stick PRO-HG Duo™ and SD, SDHC and SDXC storage cards. 

3D Sweep Panorama

Both cameras shoot panoramas in 3D, which is awesome if you have a 3D capable monitor. 

Availability and Price

Both the α55 and α33 should be available September/October 2010 at a reported cost of $650 for the α55 and $550 for α33. You can read more at sony.com



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Gear In 60 Seconds – Nauticam NA-60D

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Getting watery trick shots with this DSLR housing

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Uh maybe weak counter attack? No 24p,  no 60p, apparently no manual control in movie mode, weaker codec, lesser sensor, fewer lens choices…

As a stills camera, more interesting (but 7D still owns it).

Posted by stephen v2  on  08/24  at  09:13 PM


No news here folks, move along now….

The technology (pellicle mirror) is years old and, as Steve points out, there is not a lot more going for it without manual control, poor codec and proprietary storage.

A Sony demonstrator once told me not to waste time with the original Alpha series, looks like that still holds true?

Posted by Nick WB  on  08/25  at  02:21 AM


This site was much better before the Sony sponsorship…

Posted by .(JavaScript must be enabled to view this email address)  on  08/25  at  03:18 PM


Regarding what features may have been left out here ......

SONY is still a major player in the broadcast video world and will continue to be so.  Regarding their effectiveness against Canon in this space, Canon simply does not have as large a video space to defend as SONY does.  Translated this means that SONY has to be more careful to make sure their DSLR market does not step on the toes of their dedicated video market.  Its complicated I can assure you. 

Having said that don’t kid yourself, everything your all thinking,  SONY is thinking as well.  Canon fired the very 1st shot in this new frontier but the war has only just begun.  My guess is that the new VIDEO camera SONY has coming out next month is the way SONY will go to try and make a dent in the CANON DSLR “Video” craze.  They will rev up all the desired frame rates there 1st….. may be not on the 1st rev, but they will, you can take that to the bank.

Posted by .(JavaScript must be enabled to view this email address)  on  08/25  at  10:44 PM


Do we actually care?

Posted by Nick WB  on  08/26  at  01:42 AM


There is one thing I do care about which I hope to see Canon implement and thats “In-camera body” stabilization.  I have a few wonderful prime lenses with no IS and having IS on-board “the camera” would be a great help.

Posted by .(JavaScript must be enabled to view this email address)  on  08/26  at  06:43 AM


Personally I want to see what Pentax come up with.

Posted by Simon Wyndham  on  08/26  at  10:35 AM


Canon 60D: 18 Mpix; 3-inch flip-out LCD screen with 1.04 Mpix; 24, 25, 30, 50 and 60 fps; 1080 and 720; mic input with manual audio level. No autofocus in video mode though. So, basically, autofocus is the only Sony’s card to play.

Posted by .(JavaScript must be enabled to view this email address)  on  08/26  at  08:46 PM


You will notice the 60D is closer to size and weight to the 7D and I would bet NOT a plastic body.

Posted by .(JavaScript must be enabled to view this email address)  on  08/26  at  09:09 PM


60D has plastic body.

Posted by .(JavaScript must be enabled to view this email address)  on  08/27  at  09:36 AM


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Gear In 60 Seconds – Nauticam NA-60D

Matt Jeppsen | 02/09

Getting watery trick shots with this DSLR housing

image

Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for…

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Clint Milby | 02/07

New Cage Fits New Camera Like A Glove

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At the 11th Annual San Francisco SuperMeet, I was able to actually lay hands on the

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PVC News Staff | 02/06

The Amazing Race uses Anton/Bauer to ensure all cameras have enough power to capture every exciting moment the contestants encounter.

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