Friday, February 19, 2010

HPA Tech Retreat 2010 - Day 3

Adam Wilt | 02/19- 12:53 AM

HDR imaging, animation restoration, collaborative networking, and more…

The Tech Retreat’s third day covered regulatory issues, HDR imaging, using a plasma for reference monitoring, SOA, networking, file-based workflows… and Mo Henry.

more »

Thursday, February 18, 2010

HPA Tech Retreat 2010 - Day 2

Adam Wilt | 02/18- 12:59 AM

Panels and papers at the Tech Retreat

The 16th Annual Tech Retreat was officially opened by HPS President Leon Silverman today. (As with yesterday’s coverage, this’ll be stream-of-consciousness coverage.)

more »

Wednesday, February 17, 2010

HPA Tech Retreat 2010 - Day 1

Adam Wilt | 02/17- 12:38 AM

3D in the home, 3D and more in the Demo Room.

Mark Schubin’s unique bifocal 3D glasses.

The Hollywood Post Alliance Tech Retreat is a gathering of postproduction, broadcast, TV, and cinema folks in Palm Springs every February. This year, 3D is a big topic, and Tuesday’s Super Session was “3D in the Home”, chaired by Jerry Pierce & Peter Fannon.

more »

Sunday, February 14, 2010

Podcasting has gone way beyond the Pod

Allan Tépper | 02/14- 01:48 PM

Podcasts directly on your tabletop radio, car radio, HDTV, or Blu-ray player: No computer required!

image

The medium that most of us call podcasting has gone way beyond the Pod. When I say that, I am referring to both known etymologies of the term podcast: 1) The first, which refers specifically to Apple’s iPod devices. 2) The second, which states that the letters P—O—D in podcasting are actually an acronym for the words Portable On Demand. Of course, almost everyone knows that the programs which are popularly called podcasts can now be played on computers and multiple portable mobile devices, including iPads, iPods, iPhones, Blackberries and a handful of other portable audio players and other smart mobile telephones. But beyond that, some people are not yet aware that the market is now being flooded with many other devices that can receive and play these “podcast” programs directly, without any computer in the loop, including some HDTV sets, and even an in-dash car radio which connects to the Internet wirelessly. In this article, you’ll discover those, plus Internet table radios and inexpensive set top boxes which tune podcasts directly, without a computer. You’ll also get to reason with me about whether we should still be calling this medium podcasting, and keep calling the programs podcasts… and what this all means, both for content producers and for listeners/viewers.

more »


Advertisement


Thursday, February 04, 2010

Adobe Community Leaders Summit

Chris and Trish Meyer | 02/04- 09:21 PM

A chance to get inside Adobe’s head.

Last week, Adobe invited a variety of well-known people in the industry to come get a closer look at what they’ve been working on, and to provide feedback on their direction. To Adobe’s credit, this was no “preaching to the choir” session; many of those invited were FCP and Avid editors, and several current users gave Adobe personnel an earful both publicly and privately. It was also made clear to us that no specific product versions or release dates were being discussed, and that we couldn’t repeat anything that had not already been mentioned publicly (reminds us of the old Zen Buddhist saying “Those who know don’t say; those who say don’t know”). However, this event gives us an excuse to aggregate into one place a number of emerging technologies Adobe has already murmured about, for those who haven’t had the chance to keep up…

more »

Thursday, February 04, 2010

Vimeo finally goes mobile + adds 1080p and HTML5 (ßeta)

Allan Tépper | 02/04- 12:04 PM

By adding mobile compatibility, Vimeo loses one of its few remaining Achilles’ heels.

image

Vimeo, a leading video hosting/gallery site offering both paid and free models, has finally added mobile capability for its paying clients. This capability finally allows Vimeo Plus members to make their videos compatible with mobile devices like the iPhone, iPod Touch, Palm Pre, and Google/Android devices like the Nexus One. Vimeo Plus members can also now have the option to have web-based 1080p videos (although the wisdom of that today is debatable). Finally, all videos on Vimeo —whether from Plus members or standard members— will now have the option to be viewed either with the new HTML5 (ßeta) player (browser dependent), or the pre-existing Flash player (device dependent). This article will cover these three new features in more detail, and discuss their ramifications, both for content creators and content viewers.

more »

Wednesday, January 20, 2010

Tépper’s predictions for iPhoneOS 4.0

Allan Tépper | 01/20- 07:59 PM

Google/Android’s current advantages; demystifying Nexus One misinformation

image

While many writers are concentrating on the anxiously anticipated Apple tablet, I have chosen to leave that topic alone until after its official announcement. If you are interested in that, see Alex Lindsay’s and Chris Meyer’s great articles here in ProVideo Coalition. I have decided to publish my predictions for iPhoneOS 4.0, based upon my own desires for features, as well as those expressed by the general market, and some features offered already on some Google/Android-based mobile devices —especially the recent Nexus One— which are currently missing from the iPhone. I am surprised that these desirable features haven’t even been mentioned by other popular media outlets who have reviewed the Nexus One. So keep reading to discover my predictions for iPhoneOS 4.0, and some little known capabilities of the Nexus One and some other Google/Android devices.

more »

Thursday, December 24, 2009

Apple + Tablet = New Video Distribution Outlet?

Chris Meyer | 12/24- 01:56 PM

Rumors of an Apple tablet device are getting too loud to ignore. What do they mean for us?

As a long-time Apple user (and - full disclosure - Apple stockholder), I’ve learned long ago to take Apple rumors with a grain of salt. However, combine patents (some going back to 2005), leaks from developers, and the rental of a big hall for a special event in late January, and you start to feel something might actually happen - although it’s certainly not a lock. Personally, I’m thrilled with the speculation that the rumored “iPad” iSlate iPad will be more about media than computing.

more »

Page 8 of 18 pages « First  <  6 7 8 9 10 >  Last »


Advertisement




2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank