My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons | 05/26- 07:08 AM
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons | 05/15- 06:10 PM
Plus a little screencast in this blog post on a topic we didn’t get to cover.
I had great fun last week presenting the Final Cut Pro X multicam editing webinar for Moviola Filmmaking Webinars. It was a lightning fast 90 minutes and we covered a lot of ground but we didn’t get through everything I wanted to cover. The On-Demand version can be purchased and I recorded an extra screencast about one topic that I didn’t get to cover in the webinar. Check it out after the jump.
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons | 05/11- 11:26 AM
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final Cut Pro. There’s even a keyboard shortcut layout for Final Cut Pro users. But it is a totally different application than our old Final Cut friend and some things you’re used to in Final Cut Pro either aren’t there or just work differently. Figure out the differences and work with the changes as Premiere Pro CS6 is a great application … and as we all know Final Cut Pro 7 isn’t going to get any better.
Want to know where things are going in our industry, here’s some of what I learned.
I attended this year’s Hollywood Post Alliance retreat that touted the theme “Snowflake Workflows”. In this episode of “The Terence & Philip Show” we cover some of the more interesting things I learned there.
Besides covering some cool new technology previews, we had a side discussion on how disruptive technologies often come out of the consumer divisions of the large conglomerates rather than their professional product division.
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
Scott Simmons | 05/03- 06:58 PM
I promised to post a bunch of helpful links for migrating editors so here they are.
With the 2012 NAB show a thing of the past that means the Post|Production world conference is a thing of the past too. One of the classes I taught this year was Essentials of Avid Media Composer Editing for Migrating Editors . It was a great class and a full house of people moving or thinking about moving to Media Composer. I promised the class I would post a list of links and resources they might find useful when moving to Avid. Here’s that list.
UPDATE: ALL THE FREE CODES ARE GONE Panoptik has created a very good looking, easy to use timecode calculator
Many, many years ago I wondered if we were going to get some good filmmaking apps for the iPhone. That was 4 years ago and it didn’t take long for some timecode calculators to enter the store. Now there’s a whole website devoted to iOS filmmaking tools. A timecode calculator is still one of the most useful things on an iPhone and the makers of Panoptik Timecode have offered a a few free codes for our readers to get a copy of their good ole timcode calculator app.
Putting the After Effects CS6 3D Camera Tracker to the Test
Jeff Foster | 04/30- 08:04 PM
I give the new 3D Camera Tracker some pretty crazy footage to track
Since the announcement of the Adobe CS6 Production Premium was made, there are a lot of great tutorials and examples made with the product to show off the new features. Most use nicely shot footage with dolly shots or smooth steady-cam work with lots of great contrasting detail to track, which provide great results. Naturally had to try it with some of my own horrendous handheld DSLR video clips to see if I could put it to the test and how it held up. Let’s see how it did.
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
To be considered for listing, contact pr (at) provideocoalition (dot) com
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.