Wherein a great group of people come together for a good cause
This was the first project shot for California’s No on Prop 8 campaign. In an attempt to reach out to young voters I recruited my cousin Catherine, and her best friend Austin, to record an appeal for youth to get up and vote down Prop 8. They’re both politically active and immediately said “yes” to the project.
I’ll be the first to admit that I don’t have the privilege of getting to work with high-end workflows all of the time. I go from everything to DV to Film 4K and everything in between, but clearly SD and compressed HD workflows predominate what we do. However, I have to say that I’ve been really intruiged with what AJA offers for Adobe products - all that you would expect and a whole bunch extra. Read on to get all the details.
Things your mother didn’t tell you about creating nice text.
Every month, we write a Tips N Tricks article for our friends at Artbeats.com. This month we wrote a basic introduction to using text - including a few simple rules of typography that many miss, plus a more subjective discussion about choosing the right fonts for a job. (This is obviously a companion for the piece on Font Resources that we just posted here on PVC.)
Want to find out everything new in Adobe Creative Suite 4? Trust me… there’s some really cool things coming. Adobe has an invitation out to view their Web broadcast on September 23rd. But you do need to go to the sign-up page at www.adobe.com/go/somethingbrilliant.
By the way… I am going to be releasing something very special on the 23rd as well as a “thank you” to all my viewers. Be sure to stick around and keep an eye out.
After you get over completing your first “online”, you will be finishing all your projects in record time.
I thought that for this next article, I would take a look at a growing trend for editors these days, and that is the “One Man Shop”. What I mean by that is that these days, with systems coming down in price, independent business owners/editors are wearing many hats, and one of those hats is that of the offline/online editor. Let’s take a look at how an editor can offline a 1080i HD project, and then carry it through to the online.
I teach Motion to a lot of After Effects users. Sometimes they end up in my class because they want to be there; other times their organization has sent them and they…