Friday, October 22, 2010

You can reframe your R3Ds in Redcine-X

Scott Simmons | 10/22- 03:03 PM

And you can use After Effects too for creating nice closeups out of 4K media.

image

When you’re working with high resolution RED media in a high-definition world then one of the advantages of the original 4K image is the ability to reframe shots in post due to the different sizes of the acquired image. You can quite literally create entirely new shots without any softening of the image since the resolution is there. It can be accomplished in RED’s free software Redcine-X though I have to admit it took me a bit of time to figure out how to do it.

more »

Wednesday, October 13, 2010

Magic Bullet Suite 10’s new Denoiser plug-in

Scott Simmons | 10/13- 08:50 PM

Magic Bullet Steady is gone but Denoiser is a great addition for working with noisy DSLR footage.

image

A few weeks ago Red Giant Software released update to the ever popular, ever useful Magic Bullet Suite. This new version 10 includes the most recent versions of many useful tools including Magic Bullet Looks, Frames, Grinder, Instant HD, Mojo, PhotoLooks and the recently updated Colorista II (which you can find a review of here). One tools that is now gone from the suite is Magic Bullet Steady but it’s been replaced by a new one: Magic Bullet Denoiser. And it’s available as part of the suite or as a stand-alone purchase.

more »

Monday, October 11, 2010

Paul Clements - First Impressions of the Foundry’s Storm

Scott Simmons | 10/11- 12:48 PM

A great first look at Storm, reposted from Reduser with permission from Paul

image

Several weeks ago The Foundry announced a new “revolutionary RED workflow system” called Storm. The product made its public debut at IBC and will be available as a public beta in November. Around February 2011 it will go on sale for $375 and should expand beyond RED in coming versions. Paul Clements is a UK-based DIT who has been Alpha testing Storm. He posted a detailed first impressions article on Reduser that’s a great overview of what Storm has to offer. I asked Paul if I could repost the article here on PVC.

more »

Monday, October 11, 2010

Can a Mac mini handle dual-screen HD editing?

Adam Wilt | 10/11- 01:05 AM

I compare an early 2009 and a late 2010 Mac mini with a three-year-old MacBook Pro.

At work, I have a big, snorting, hairy beast of a MacPro, but at home I want something small, quiet, and abstemious with the power—yet still capable of dual-screen HD editing with reasonable playback performance when I need it. I’ve tested two Mac minis, with GeForce 9400M and 320M GPUs, alongside my older 15” MacBook Pro with a Radeon x1600 GPU, and the results are… interesting. They may be applicable to recent MacBooks with the same GPUs, too.

more »


Advertisement


Friday, October 08, 2010

Master Multicamera Techniques is a must have book for editors

Scott Simmons | 10/08- 01:24 PM

Even if you don’t edit multicam concerts you’re bound to learn something new.

image

Quite a few months ago I had a long conversation with editor Mitch Jacobson about multicam editing. The point of this conversation was to, hopefully, provide some good information on multicam editing for what was then his upcoming book about the topic. That book has finally gone into print and I picked up a copy not long ago and began reading it. Besides the much appreciated contributing writer credit that Mitch gave me (and a lot of other people who helped pull the book together) the book is a treasure chest of all things multicam.

more »

Wednesday, October 06, 2010

Export via Sorensen Squeeze 6 from the FCP timeline

Scott Simmons | 10/06- 08:00 PM

I often forget this Quicktime Conversion option is available in FCP.

image

Just the other day I needed to export mp3 audio files from several long Final Cut Pro timelines to send to a client for review. There was no reason to send video and they wanted to get small audio files that didn’t have to be of great quality attached to an email. What better format than mp3! With that I remembered that Sorenson Squeeze 6 (now at version 6.5) installs an Export Using QuickTime Conversion option in FCP. After making the mp3s I thought that a reminder of this would make a good blog post.

more »

Sunday, October 03, 2010

Kicking the tires on DaVinci Resolve for Mac

Scott Simmons | 10/03- 06:36 PM

A few early workflow tests as we get to know Resolve

image

DaVinci Resolve for Mac has begun shipping en masse and is now getting into the hands of a lot of end users. Apparently I talked up the right people as I stalked the Blackmagic Design booth at NAB as they sent over a copy for testing and review. I wanted to install Resolve right away but a busy week of editing meant I didn’t have to time gut the office machine to get the cards in for a proper Resolve configuration. After looking at the install discs sitting around for a few days I couldn’t stand it any more and took them home to install there and at least get a taste for what Resolve for Mac is like. But my home Mac Pro doesn’t really meet the recommended system requirements ....

more »

Tuesday, September 28, 2010

Martini QuickShot Creator puts pre-viz directly into FCP

Matt Jeppsen | 09/28- 08:37 PM

Simple pre-visualization software for the rest of us

image

Just watched the demo for Martini Quickshot Creator, and must say that this $199 software package looks AWESOME. Check out the demo here...you can quickly build pre-visualized scenes for a project from a library of characters and scenes. All from within Final Cut Pro. This software looks simply brilliant.

more »

Page 29 of 65 pages « First  <  27 28 29 30 31 >  Last »


Advertisement




2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank