Saturday, December 10, 2011
Clean those Adobe Media Cache Files
Scott Simmons | 12/10- 01:26 PM
And reclaim some drive space in the process
I learned something today about Adobe Premiere Pro that I was unaware of. The application creates a media cache when it imports media and that media cache seems to default to the system drive in the user Library folder. This cache can balloon in size over a period of time as I found out when cleaning up a drive. But it can be easily cleaned and relocated.
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Friday, December 09, 2011
REVIEW: Fast Forward Video Sidekick HD Recorder/Monitor
Bruce A Johnson | 12/09- 05:11 AM
Two for the price of one?
PREFACE: The ProRes Dilemma
Let’s start this review off by dispelling a long-held rumor. I’m a PC guy, just always have been, and after reviewing just about every PC NLE at least once, I have settled on Adobe Premiere Pro (and the CS 5.5 suite) as my editor of choice. Not too long ago, I had a freelance client that absolutely insisted on Apple ProRes files for the output of a project. Unfortunately, Apple does not allow PCs to write ProRes files, and at the time PC’s couldn’t read them either.
Fast-forward a few months: Imagine my dismay as I walked the aisles of NAB 2011, looking at all kinds of new recording devices from Aja, Atomos, Sound Devices and others that promised long recording times and transfer speeds – yet the catch was: Only records in Apple ProRes.
So when I was offered the opportunity to review the Fast Forward Video Sidekick HD combination video recorder and camera-top monitor, I was distressed to think that I could shoot the footage, but couldn’t edit it. So I put the question to my colleagues on the Vidpro listserv – can PC Premiere Pro play back ProRes? My pal (and fellow Wisconsinite) Steve Oakley FTP’ed me a few Apple clips that seemed to work, so I went ahead and received the Sidekick HD. And I can now say with 100% certainty – Adobe Premiere Pro 5.5 can play back Apple ProRes files, even happily combining them on the same timeline with just about any other type of clip you want to add – .AVI, .M2T, Photoshop files, Canon 50Mb, Sony 35Mb, After Effects comps, you name it. (The theory is that the ProRes playback capability came along with one of the many Quicktime updates Apple shoots out. Hey, who knew?)
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Thursday, December 08, 2011
Let’s talk Avid Media Composer 6
Terence Curren | 12/08- 09:58 AM
How does it compare with the other NLE approaches?
In this latest episode of The Terence & Philip Show, Philip and I discuss the different approaches manufacturers have taken to updating their NLEs to 64bit modern architectures.
Focusing heavily on Media Composer 6, Avid’s just-released 64 bit update to the venerable Media Composer.
Click the link below and join the conversation.
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Wednesday, December 07, 2011
Christmas Gift Ideas for the Editor in Your Life
Scott Simmons | 12/07- 11:14 AM
Forward this link to your loved ones for some buying ideas for the hard-to-buy-for editor.
Yet another holiday season is upon us. What do you get for the editor in your life who may or may not have everything? Here’s a few suggestions that just might help a loved one create a shopping list so send them a link to this blog post. You could also forward them last year’s gift ideas for the editor post as well. It’s only a few weeks until Christmas so get that shopping done. Some of these links are affiliate links to Amazon which is always great on quick shipping if the item is in stock. Some go to Cafepress type of websites so the mileage may vary in terms of service and shipping. Happy holidays!
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Monday, November 28, 2011
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x
Allan Tépper | 11/28- 02:54 PM
How to deal with 25PsF and 29.97PsF with Adobe Premiere Pro CS5.5.x
In parts 1-3 of the PsF’s missing workflow series, we introduced the terms benign PsF & malignant PsF, and revealed the PsF status of several professional AVCHD cameras from 3 manufacturers (Canon, Panasonic, and Sony). In part 4, we did the same with several file-based HD video recorders from 6 different manufacturers. In part 5, we revealed how one recorder manufacturer is offering its own “Band-Aid” software to counteract the inappropriate signals offered over HDMI by many camera manufacturers. In part 6, I published and Open Letter to all pro AVCHD manufacturers. Here in part 7, I’ll cover how to deal with 25PsF and 29.97PsF on a progressive sequence in Premiere Pro CS5.5.x.
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Sunday, November 27, 2011
Basic Video Editing with Photoshop CS4/CS5 Extended
Jeff Foster | 11/27- 07:21 PM
Part One: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Are you a photographer that is just starting to discover the world of video with a new HD DSLR? Do you have video clips that just needs some basic editing but haven’t yet sprung for the high-priced video editing suites like Final Cut, Premiere Pro or Avid Xpress? You can do some basic video editing right inside Photoshop CS4 and CS5 Extended and retain all the resolution of your original footage. Unlike using a consumer utility like iMovie or Movie Maker, you will have total control over color correction, video layer modifications and even plug-in effects that you’re already familiar with.
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Sunday, November 20, 2011
Kicking the Tires on Avid Media Composer 6
Scott Simmons | 11/20- 04:02 PM
The rewritten application is now 64 bit, all new and yet very familiar at the same time.
Avid Media Composer 6 began shipping last week after being announced just under a month ago. The release has seen quite a bit of press as it was teased back in the summer and a large part of that tease was letting users know what they could expect when this version came along. I haven’t had a chance to really pound MC6 as of yet since it just shipped but I have been kicking the tires on it for the last few days. Keep an eye on That Post Show for upcoming episodes all about MC6.
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Thursday, November 17, 2011
Workarounds For FCP X Shortcomings?
Terence Curren | 11/17- 10:06 PM
Yes, it’s not mature yet, but there are third party solutions.
In this latest episode of “The Terence & Philip Show” we start by discussing the release of Final Cut Pro X 10.0.1. We know what features are in this release and what else is coming in “early 2012″ but what will Apple do for Version 2?
We also cover, Intelligent Assistance’s new release of Project X27 for transferring Final Cut Pro X XML to Final Cut Pro 7 XML for use in Color, Soundtrack Pro, Premiere Pro CS 5.5, OMF export and beyond. This leads to a discussion about the various flavors of XML and the differences in data structures between the two versions of Final Cut Pro. The differences between the publicly available FCPXML and the internal AXEL XML format used by Apple internally and for the Automatic Duck OMF/AAF export from Final Cut Pro X.
We briefly discuss the Automatic Duck changes in that context.
Back to the Final Cut Pro X discussion we talk about how fast Final Cut Pro X is in practical editing, and where the deal breakers may be for certain editors.
Click on the link below and join the conversation.
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