Apple has just released a set of Pro Applications Updates which improve reliability add add new features. The applications included in the update: Final Cut Pro 6.0.5 Compressor 3.0.5 Color 1.0.3 Shake 4.1.1. Here are some of the highlights of the updates (the full list is here).
Three months, three events, in the SF Bay Area and London.
Get out, meet people, see cool things, and learn stuff. December: Learn about CineAlta cameras and different recording gammas in Cupertino. January: party with the FCP faithful at MacWorld Expo in San Francisco. February: the UK’s own miniature version of IBC takes place at Earl’s Court in London. Be there, or may your pixels be ever non-square.
Testing RED ONE for green/magenta sensitivity, and what we found.
Art Adams and I have observed here on PVC that the RED ONE seems unusually sensitive to green and magenta colors. The topic keeps coming up on the cinematographer’s mailing list, too, and on reduser.net. I decided to compare the R1 to several other cameras under a variety of lighting conditions. I got more than I bargained for.
In which a series of tests becomes the fastest spec spot shoot in history
About a week and a half ago I received an email from Leigh Blicher, partner at Videofax in San Francisco. “Just wanted to let you know our F35 has arrived.” My response read something like this: “Ooo! Oh! Oh oh oh! Ooooo oh oh OH! Oh! OHHHHH! Can I come over and PLAY?”
Ten years ago a fellow named Marshall Spight posted a challenge on DV-L called “Throwing Down the DV Gauntlet”, in which he said, “everyone talks about shooting serious dramatic films with DV, but does anyone actually do it?” I responded, and we wound up making a 20-minute short called “The Beautiful Thing” using Sony DCR-VX1000s, the first 1/3” 3-CCD DV camcorders. It came out so well (it was for a time the top-rated dramatic film on iFilm.com, an early and long-defunct predecessor to YouTube) that we set about making a short political drama/comedy (?), “One Man, One Vote”. This one gave us a few more challenges.
I teach Motion to a lot of After Effects users. Sometimes they end up in my class because they want to be there; other times their organization has sent them and they…