Editing & Post

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2D Footage with a Stereo 3D Rig in After Effects CS5.5
If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
3D Layers Overview with Photoshop CS4-CS5.5
Is There A Future For Editors
Digieffects v2.5 - Damage & Delirium Explored
Simulated Camera DOF In Video with Photoshop CS5.5
What Is The Future Of The Post House?
Why Do You Make That Edit… Not How!
Let’s talk Avid Media Composer 6
Basic Video Editing with Photoshop CS4/CS5 Extended
Workarounds For FCP X Shortcomings?
Film Is Dead!
Sharing Assets: Adobe CS Production Premium’s Unique Workflow
Straightforward Primary Color Correction in Premiere Pro
The CRT Replacement Is Here…Finally!
The Templatorization of “Creativity”
How Do We Thrive In The Multi-Screen Viewing Environment?
FCPX, Is It Prosumer Or Not?
Streamlining Color Correction in Premiere Pro
FCP X ! The Response A Month Later
Reviewed: Class on Demand – Avid Media Composer for Final Cut Pro Users
Is This The New Model of Financing Your Project?
FCP X Good or Bad?
mocha Pro Demo at Editors’ Lounge
Audition: Made for Video (Part Three)
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Monday, July 07, 2008

To Join or not to Join? That is the Union Question.

Terence Curren | 07/07- 12:22 AM

It’s the ultimate “Catch-22” in our industry. “I need to be a member of a union to get this editor gig, but I need to have union editing gigs to get in the union.” Huh?!?!?!

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Post Production • (4) Comments • Most recent comments by: Terence Curren, fjreynolds, Terence Curren, fjreynolds, • Permalink


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Recording & Editing Multi-take Voice Overs in Soundtrack Pro

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Getting Video In and Out of Color

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Find Your Voice

steve martin | 07/30- 11:51 AM

Recording & Editing Multi-take Voice Overs in Soundtrack Pro

In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor.

Click here to watch tutorial

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Color Workflows With Different Video Formats

Andrew Balis | 07/22- 11:51 AM

Getting Video In and Out of Color

One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color.  This article relates to users of Color version 1.0.2 or later.  We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV. 

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