Editing & Post

Written by a collection of the best writers in the industry

2D Footage with a Stereo 3D Rig in After Effects CS5.5
If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
3D Layers Overview with Photoshop CS4-CS5.5
Is There A Future For Editors
Digieffects v2.5 - Damage & Delirium Explored
Simulated Camera DOF In Video with Photoshop CS5.5
What Is The Future Of The Post House?
Why Do You Make That Edit… Not How!
Let’s talk Avid Media Composer 6
Basic Video Editing with Photoshop CS4/CS5 Extended
Workarounds For FCP X Shortcomings?
Film Is Dead!
Sharing Assets: Adobe CS Production Premium’s Unique Workflow
Straightforward Primary Color Correction in Premiere Pro
The CRT Replacement Is Here…Finally!
The Templatorization of “Creativity”
How Do We Thrive In The Multi-Screen Viewing Environment?
FCPX, Is It Prosumer Or Not?
Streamlining Color Correction in Premiere Pro
FCP X ! The Response A Month Later
Reviewed: Class on Demand – Avid Media Composer for Final Cut Pro Users
Is This The New Model of Financing Your Project?
FCP X Good or Bad?
mocha Pro Demo at Editors’ Lounge
Audition: Made for Video (Part Three)
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Thursday, October 02, 2008

FCP to Avid, a Continuing Saga

Terence Curren | 10/02- 11:24 PM

They’ve offlined in FCP, and now want to finish in Avid, what to do?

Hit a frequent request on an editing forum today, Robert asks:

“I have a project coming in that was shot on a combination of HDCam and XDCam (EX-1 & EX-3) and edited on a Final Cut Pro system. What type of workflow can I use to get the sequence and media into a PC Symphony Nitris (3.0) for the online edit?”

more »
(1) Comments • Most recent comments by: Easy Street, • Permalink


Thursday, October 02, 2008

Say Goodbye to Film?

Terence Curren | 10/02- 10:58 AM

The barrier to digital projection has been lifted!

The day when feature production goes all digital has been predicted since I started in this business in the early 80s. Over the last several years we have seen the entire production and post production chain switching to digital right up until the end at theatrical distribution. This has been at a standstill as the theater owners were hesitant to plop down big bucks to switch to digital projectors. Well, that is about to change!

more »
(2) Comments • Most recent comments by: Neil Sadwelkar, • Permalink


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Mark Spencer | 10/27- 12:34 PM

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