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Editing & Post
Written by a collection of the best writers in the industry 
2D Footage with a Stereo 3D Rig in After Effects CS5.5If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat3D Layers Overview with Photoshop CS4-CS5.5Is There A Future For EditorsDigieffects v2.5 - Damage & Delirium ExploredSimulated Camera DOF In Video with Photoshop CS5.5What Is The Future Of The Post House?Why Do You Make That Edit… Not How!Let’s talk Avid Media Composer 6Basic Video Editing with Photoshop CS4/CS5 ExtendedWorkarounds For FCP X Shortcomings?Film Is Dead!Sharing Assets: Adobe CS Production Premium’s Unique WorkflowStraightforward Primary Color Correction in Premiere ProThe CRT Replacement Is Here…Finally!The Templatorization of “Creativity”How Do We Thrive In The Multi-Screen Viewing Environment?FCPX, Is It Prosumer Or Not?Streamlining Color Correction in Premiere ProFCP X ! The Response A Month LaterReviewed: Class on Demand – Avid Media Composer for Final Cut Pro UsersIs This The New Model of Financing Your Project?FCP X Good or Bad?mocha Pro Demo at Editors’ LoungeAudition: Made for Video (Part Three)
February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010December 2009September 2009May 2009March 2009January 2009November 2008October 2008September 2008July 2008June 2008May 2008April 2008Complete ArchivesCategory Archives |
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3D Layers Overview with Photoshop CS4-CS5.5Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series
Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop. more »
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Simulated Camera DOF In Video with Photoshop CS5.5Part Two: Video Editing & Animation with Photoshop CS4/CS5 Extended Series
Learn how you can create a simulated Camera DOF effect on your video footage right inside of Photoshop CS5.5 Extended! This technique can be applied to on any video footage and doesn’t require any plug-ins, but rather, it utilizes the 3D Camera to achieve a realistic DOF effect. more »
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Basic Video Editing with Photoshop CS4/CS5 ExtendedPart One: Video Editing & Animation with Photoshop CS4/CS5 Extended Series
Are you a photographer that is just starting to discover the world of video with a new HD DSLR? Do you have video clips that just needs some basic editing but haven’t yet sprung for the high-priced video editing suites like Final Cut, Premiere Pro or Avid Xpress? You can do some basic video editing right inside Photoshop CS4 and CS5 Extended and retain all the resolution of your original footage. Unlike using a consumer utility like iMovie or Movie Maker, you will have total control over color correction, video layer modifications and even plug-in effects that you’re already familiar with. more »
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Sonicfire Pro 5 with Premiere Pro CS5 Workflow Video TutorialsLearn how to use Sonicfire Pro 5 to create and edit music scoring for your video projects in Adobe Premiere Pro CS5.
Watch as I use real-world examples of how I work using SmartSound Sonicfire Pro 5 with Adobe Premiere Pro CS5 in a broadcast bumper. The first video is an “over-the-shoulder” view of the production process with little explanation of why I’m choosing specific tools, but rather a fast-paced overview of just how simple it is to select and edit the music soundtrack to work with the various parts of the video; including voice over and interview clips. The second video takes a more in-depth approach to the round-trip workflow between Premiere Pro CS5 and Sonicfire Pro 5, and why I choose specific tools for the quickest editing possible. more »
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Advertisement Sonicfire Pro 5 with After Effects CS5 Workflow Video TutorialsLearn how to use Sonicfire Pro 5 to create and edit music scoring for your motion graphics projects in After Effects CS5
I’ve broken these tutorials down into three videos, using some real-world examples of how I work using SmartSound Sonicfire Pro 5 with Adobe After Effects CS5 projects, creating short production videos and motion graphics for broadcast. Whether I’m creating/editing a short video with layers of motion graphics or building a motion graphics animated opener/bumper, I can use the soundtrack creation and editing capabilities in Sonicfire Pro 5 to produce a quick, interactive workflow with After Effects CS5. more »
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Tapeless Workflows, a Jump to the Past?We in the post world are on the verge of an explosion in media management, and it isn’t a pretty sight. The worst part is that even though it is billed as the future, it really is a bast from the past. That is going to be very trying on many of the new production and post crowd who haven’t been raised with the disciplines of the old workflows. more »
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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