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Editing & Post
Written by a collection of the best writers in the industry 
2D Footage with a Stereo 3D Rig in After Effects CS5.5If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat3D Layers Overview with Photoshop CS4-CS5.5Is There A Future For EditorsDigieffects v2.5 - Damage & Delirium ExploredSimulated Camera DOF In Video with Photoshop CS5.5What Is The Future Of The Post House?Why Do You Make That Edit… Not How!Let’s talk Avid Media Composer 6Basic Video Editing with Photoshop CS4/CS5 ExtendedWorkarounds For FCP X Shortcomings?Film Is Dead!Sharing Assets: Adobe CS Production Premium’s Unique WorkflowStraightforward Primary Color Correction in Premiere ProThe CRT Replacement Is Here…Finally!The Templatorization of “Creativity”How Do We Thrive In The Multi-Screen Viewing Environment?FCPX, Is It Prosumer Or Not?Streamlining Color Correction in Premiere ProFCP X ! The Response A Month LaterReviewed: Class on Demand – Avid Media Composer for Final Cut Pro UsersIs This The New Model of Financing Your Project?FCP X Good or Bad?mocha Pro Demo at Editors’ LoungeAudition: Made for Video (Part Three)
February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010December 2009September 2009May 2009March 2009January 2009November 2008October 2008September 2008July 2008June 2008May 2008April 2008Complete ArchivesCategory Archives |
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2D Footage with a Stereo 3D Rig in After Effects CS5.5Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output. more »
*VIDEO* •
Cameras •
CS5 •
Editing •
featured •
GentryMedia Sister Sites •
ProVideo Coalition •
Post Production •
Software •
Stereoscopic •
Tips •
Visual Effects •
(0) Comments •
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Permalink
3D Layers Overview with Photoshop CS4-CS5.5Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series
Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop. more »
*VIDEO* •
CS4 •
CS5 •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Motion Graphics •
Post Production •
Tips •
Training •
Visual Effects •
(0) Comments •
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Permalink
Digieffects v2.5 - Damage & Delirium ExploredTaking a look into Digieffects latest creative plugin effects
Digieffects has updated and optimized their plugin effects to be Adobe CS5/64-bit compatible and have added some great new tools to their suite of tools! Both Damage v2.5 and Delirium v2.5 are fully compatible with the latest versions of After Effects, Premiere Pro, FCP and Edius. Even better news, this is a free upgrade for registered v2.0 owners! more »
*VIDEO* •
CS5 •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Post Production •
Software •
Visual Effects •
(0) Comments •
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Permalink
Let’s talk Avid Media Composer 6How does it compare with the other NLE approaches?
In this latest episode of The Terence & Philip Show, Philip and I discuss the different approaches manufacturers have taken to updating their NLEs to 64bit modern architectures. Click the link below and join the conversation. Click to audio / video »
*VIDEO* •
Apple •
Final Cut Pro •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Post Production •
Stereoscopic •
Vendor Channels •
Adobe •
Avid •
(3) Comments •
Most recent comments by:
twizz,
Terence Curren,
twizz,
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Permalink
Advertisement The CRT Replacement Is Here…Finally!Sony Trimaster OLED monitors really deliver.
With the death of CRTs, those of us who needed to critically evaluate video images in a standardized display universe were left with no adequate replacement. Most of us have been nursing along our aging CRT monitors and hoping something of equal or better quality would arrive before our trusted displays give up the ghost. Well, that product has finally arrived, and I predict that Sony is going to own the pro monitor market for delivering it. more »
*VIDEO* •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Post Production •
Production •
Vendor Channels •
Sony •
(4) Comments •
Most recent comments by:
Terence Curren,
kwortendyke,
Terence Curren,
Ra-ey Saleh,
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Permalink
Is This The New Model of Financing Your Project?Financing is scarce. The world is changing. How do you navigate the new waters?
Sponsored movies of the 70′s and 80′s were the precursor to Branded Entertainment, and it’s a major way of getting funded today.
*VIDEO* •
Budgeting •
Business •
Distribution •
Editing •
GentryMedia Sister Sites •
Mac Coalition •
ProAudio Coalition •
ProVideo Coalition •
Pre-Production •
Production •
(0) Comments •
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Permalink
Video Is Just Another Form Of LiteracyIs this good or bad for post professionals?
With production and post costs plummeting, will everyone use video as another form of writing? In this episode of The Terence and Philip Show, the discussion revolves around the question of whether or not “video production” is ‘just another form of literacy’. Click below and join our conversation. Click to audio / video »No More HDCAMSR Stock! Now What?The tape shortage crisis and what it means to production and post. Terence and Philip start discussing the tape shortage crisis – particularly HDCAM SR – caused by the situation in Japan: is tape dead, or will it merely lead to a resurgence of D5? Who’s accepting file-based delivery, is that even practical, and who gets to drive the need for tape delivery? Remember, “No-one ever voluntarily changes their workflow”! Considerations of tape shortage leads to discussion on archiving non-tape sources, and the issues surrounding that. Click below to join in on the conversation in Episode 23 of The Terence & Philip Show. Click to audio / video »
*VIDEO* •
Apple •
Final Cut Pro •
Motion •
Business •
Cameras •
Distribution •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Post Production •
Production •
(1) Comments •
Most recent comments by:
Adam Wilt,
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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