Editing & Post

Written by a collection of the best writers in the industry

The HPA Tech Retreat, Technology’s Leading Edge
Putting the After Effects CS6 3D Camera Tracker to the Test
Making a Matte Painting with Elements in Motion in After Effects
Product Review: Tiffen Dfx v3 Video/Film Plug-in
9th Annual Editors’ Lounge Panel Predicts a Cloudy NAB
Adobe Production Premium CS6 FREE Hands-on Workshops @ NAB
Product Review: Wacom Intuos5 Touch
Product Review: Monsters GT v7
Simulated Rack Focus for Believable Composites
HPA Tech Retreat, Day One
2D Footage with a Stereo 3D Rig in After Effects CS5.5
If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
3D Layers Overview with Photoshop CS4-CS5.5
Is There A Future For Editors
Digieffects v2.5 - Damage & Delirium Explored
Simulated Camera DOF In Video with Photoshop CS5.5
What Is The Future Of The Post House?
Why Do You Make That Edit… Not How!
Let’s talk Avid Media Composer 6
Basic Video Editing with Photoshop CS4/CS5 Extended
Workarounds For FCP X Shortcomings?
Film Is Dead!
Sharing Assets: Adobe CS Production Premium’s Unique Workflow
Straightforward Primary Color Correction in Premiere Pro
The CRT Replacement Is Here…Finally!
May 2012
April 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
December 2009
September 2009
May 2009
March 2009
January 2009
November 2008
October 2008
September 2008
July 2008
June 2008
May 2008
April 2008

Complete Archives
Category Archives

Sunday, February 26, 2012

Simulated Rack Focus for Believable Composites

Jeff Foster | 02/26- 07:02 PM

Matching Foreground Green Screen and Background Plates with Rack Focus Effect in After Effects

If you’re looking to give your green screen composites another step of realism or to simulate the look of a shallow DOF with a DSLR, then this video tutorial will show you how! Using Adobe After Effects, I show you first how to get a great green screen composite with Keylight and then alter both the foreground and background plates along the Timeline to give a simulated rack focus pull. Check out this step-by-step video tutorial and feel free to leave comments and questions below.

more »


Wednesday, February 15, 2012

HPA Tech Retreat, Day One

Terence Curren | 02/15- 10:34 AM

Snowflakes In The Desert?

image

Welcome to Indian Wells, an offshoot of Palm Springs, CA. So why is the first day’s “Super Session” titled “Snowflakes with an Increasing Chance of Clouds”? As moderator Leon Silverman said, modern post workflows are like snowflakes because no two are alike, and they change as soon as they hit the ground.

more »

Business
Editing
GentryMedia Sister Sites
ProVideo Coalition
Post Production
Production
Vendor Channels
Sony • (1) Comments • Most recent comments by: Adam Wilt, • Permalink


Friday, February 10, 2012

2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

more »


Sunday, February 05, 2012

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat

Terence Curren | 02/05- 08:44 AM

The best event for keeping up to speed in the post production world.

image

The Hollywood Post Alliance is a trade association that promotes the exchange of information between post production professionals. They host several events throughout the year that help us stay on top of our game. The biggie is the annual “Tech Retreat” February 14 - 17, 2012 in Indian Wells, California (near Palm Springs). Unlike NAB which is the grandaddy of all things film, television and radio, this event focuses on the issues and technology that we face in post. For an example of the rundown this year, check out their extensive program.

This is a great event for finding out where we are at, and where we are heading in our industry. At past events many new technologies have been “previewed”. Sony’s F65 camera and OLED monitors are a good example of this. Since this event is attended by many of the luminaries of our industry, manufacturers also use it to fine tune their products based on feedback they receive here. (Check out Adam Wilt HPA Tech Retreat at last year’s event)

I will be attending this year and posting updates here to the “Editing Post” blog. If you can swing it, you should be there also.

Disclaimer: I’m attending the HPA Tech Retreat on a press pass, which saves me the registration fee. I’m paying for my own transport, meals, and hotel. No material connection exists between myself and the Hollywood Post Alliance; aside from the press pass, HPA has not influenced me with any compensation to encourage favorable coverage.

The HPA logo and motto were borrowed from the HPA website. The HPA is not responsible for my graphical additions.


GentryMedia Sister Sites
ProVideo Coalition • (1) Comments • Most recent comments by: christianlouboutindeals, • Permalink



Advertisement


Friday, January 27, 2012

3D Layers Overview with Photoshop CS4-CS5.5

Jeff Foster | 01/27- 11:52 PM

Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop.

more »


Friday, January 13, 2012

Is There A Future For Editors

Terence Curren | 01/13- 09:01 AM

Will we be outsourced or automated out of existence?

image

In this latest episode of “The Terence and Philip Show” we discuss the outsourcing of editing jobs, remote (a.k.a cloud) editing and automation in production. What’s happening now and how will it evolve in the near future. Philip also sneaks in a preview of an interesting show he’ll be involved with in 2012.

Click the link below and join the conversation.

Since we recorded this show, another automatic editing application went live. Check out Magisto

Click to audio / video »

Apple
Final Cut Pro
Business
Editing
GentryMedia Sister Sites
ProVideo Coalition
Post Production • (1) Comments • Most recent comments by: mpro1, • Permalink


Tuesday, December 27, 2011

Digieffects v2.5 - Damage & Delirium Explored

Jeff Foster | 12/27- 03:29 PM

Taking a look into Digieffects latest creative plugin effects

Digieffects has updated and optimized their plugin effects to be Adobe CS5/64-bit compatible and have added some great new tools to their suite of tools! Both Damage v2.5 and Delirium v2.5 are fully compatible with the latest versions of After Effects, Premiere Pro, FCP and Edius. Even better news, this is a free upgrade for registered v2.0 owners!

more »


Friday, December 23, 2011

Simulated Camera DOF In Video with Photoshop CS5.5

Jeff Foster | 12/23- 01:19 PM

Part Two: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Learn how you can create a simulated Camera DOF effect on your video footage right inside of Photoshop CS5.5 Extended! This technique can be applied to on any video footage and doesn’t require any plug-ins, but rather, it utilizes the 3D Camera to achieve a realistic DOF effect.

more »


Page 2 of 16 pages  <  1 2 3 4 >  Last »


Advertisement



LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
Michelle Gallina

CS6 Production Premium Road Show







LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

image

Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank