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Tuesday, September 23, 2008

Filed under: CS4

CS 4, A Lot Of Bang For The Buck

Terence Curren | 09/23

Adobe announced the release of CS 4 today. I had a chance to get a sneak preview a few months back and I can tell you it is worth the upgrade price. Just the inclusion of the Mocha Planar Tracker is worth the upgrade price alone. (Unless you already own it)

There are too many cool new features to list here. For a full look at the new feature set, check out the Adobe page.

I find this of great interest to Avid users, you can Interchange project file information with other applications in the production workflow. AAF import and export is available on both Mac OS and Windows. How well this ties to Avid’s AAF is yet to be seen.

Inevitably, many will be disappointed as their particular feature requests aren’t in there, but that shouldn’t take away from the overall package. For example, my graphics guys are unhappy about the memory limitations of 32 bit code.

We’ll be getting a closer look at the Editor’s Lounge this Friday, I’ll have more feedback then.

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Give Your Production A Lift With Stackable Apple Boxes

PVC News Staff | 02/10

Digital Juice Releases Industry-Standard Stacking Boxes in 4 Sizes for Film Set & Location Shoots

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Digital Juice® announced today that it is expanding its DJ Gear line of products with the release of Apple Boxes. One of the most common pieces of equipment on a studio set, Apple Boxes are…

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch

Scott Simmons | 02/07

If you haven’t heard they have moved from FCP7 to Media Composer

Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those…

Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

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My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…


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