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Deliverables For Post, A Nightmare?

The discussion begins about audio levels and the perception of loudness, in the wake of the recent FCC ruling. This leads to the main discussion of deliverables: aka “pining for PAL vs NTSC”! Formats and deliverable metadata add to the complication that delivering a program has become.

The discussion veers into the endless discussion of generalist vs specialist before ending on the value of value.

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FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear PVC News Staff | 05/23 FT-ONE will record up to 1,000 frames per second FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will debut the FT-ONE full 4K high resolution…

How to get good production dialogue Matt Jeppsen | 05/15 Use a boom mic and some common sense! Here’s a short and sweet video with a tip on the best way to get good production dialogue audio from your talent. Watch below.

Boxx TV Eliminates Latency for Broadcasters Jeremiah Karpowicz | 05/09 Provides a live-to-air microwave link from any camera without ghosting, break-up or interference Scott Walker from Boxx TV tells us a little bit about the company and details what kind of range and capabilities their latest products feature.  He shows us the transmitter…

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Posted by Terence Curren  on  11/26  at  10:17 AM

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