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Eric Escobar
Eric Escobar is a filmmaker and a filmmaking technology geek. On the filmmaker side, when he was 16, Eric worked as a video store clerk at Bob's Video in Hollister, California, where he was paid to watch movies all day long. A few years later he started making his own movies and never stopped. Eric's films have screened at festivals all over the U.S. and internationally. In 2005, he was awarded an Honorable Mention in Short Filmmaking from the Sundance Grand Jury. Eric has written and directed a dozen short films and a staggering number of industrial videos, commercials and PSAs. On the geeky side of things, he blogs. In the late 90's Eric answered your Premiere and After Effects tech support phone calls at Adobe Systems. From 2001- 2003 he was on the Final Cut Pro Development Team as a QA Engineer at Apple, Inc. Nowadays he likes to develop Magic Bullet Looks Packs for Red Giant Software. Eric currently works as a commercial director for Kontent Films (www.kontentfilms.com) in San Francisco, which is the most awesome job he's ever had. |
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The Cinematic Soul of the ARRI Alexa and How It Will End Test Videos on VimeoThe Alexa has ruined me for other digital cinema cameras, especially DSLRs.
Here is my decidedly non-technical perspective on shooting with the Arri Alexa. I shot in Rec 709, not even Log C and I don’t care, it was so pretty. I didn’t measure latitude, and I didn’t have a chip chart either. I just pointed the Alexa and stuff and fell in love with the amazing image it made. The biggest thing the Alexa has done is freed me from the idea of needing to do endless camera tests to determine under what conditions my cinematic image will break down and show it’s harsh little DV roots. With the Alexa you just shoot, there is nothing to test, and nothing to hide. more »Page 1 of 1 pages Advertisement |
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