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Eric Escobar
Eric Escobar is a filmmaker and a filmmaking technology geek. On the filmmaker side, when he was 16, Eric worked as a video store clerk at Bob's Video in Hollister, California, where he was paid to watch movies all day long. A few years later he started making his own movies and never stopped. Eric's films have screened at festivals all over the U.S. and internationally. In 2005, he was awarded an Honorable Mention in Short Filmmaking from the Sundance Grand Jury. Eric has written and directed a dozen short films and a staggering number of industrial videos, commercials and PSAs. On the geeky side of things, he blogs. In the late 90's Eric answered your Premiere and After Effects tech support phone calls at Adobe Systems. From 2001- 2003 he was on the Final Cut Pro Development Team as a QA Engineer at Apple, Inc. Nowadays he likes to develop Magic Bullet Looks Packs for Red Giant Software. Eric currently works as a commercial director for Kontent Films (www.kontentfilms.com) in San Francisco, which is the most awesome job he's ever had. |
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The Indie Economics of SLOG and the Sony PMW-F3. Is it worth it?Shooting SLOG/444 on the PMW-F3 puts the per day cost within spitting distance of an Alexa or Epic rental, what’s an indie filmmaker to do?
As a recovering technoholic-cameraphile, I am desperately trying to make my way out of the addiction cycle of endless camera tests and back toward the rest of humanity. I want to be a part of the species that just wants to viscerally respond to a beautiful, spirit-moving image of light, shadow and color. I want to be thrilled by beauty, not sourly deconstructing the failings of this week’s latest offering from the constellation of video camera vendors. more »
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The Indie Economics of SLOG and the Sony PMW-F3. Is it worth it?
Shooting SLOG/444 on the PMW-F3 puts the per day cost within spitting distance of an Alexa or Epic rental, what’s an indie filmmaker to do?
As a recovering technoholic-cameraphile, I am desperately trying to make my way out of the addiction cycle of endless camera tests and back toward the rest of humanity. I want to be a part of the species that just wants to viscerally respond to a beautiful, spirit-moving image of light, shadow and color. I want to be thrilled by beauty, not sourly deconstructing the failings of this week’s latest offering from the constellation of video camera vendors.
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