Matthew Jeppsen
Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee.
Kendal Miller
Kendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra.
He works on a wide variety of projects
ranging from commercial to independent film projects, working on one of
the first commercial Red projects in the midwest area. When he's not shooting
film or video he enjoys still photography as a hobby.
An original part of the
FreshDV team and contributing author to such magazines as DV and others
Kendal enjoys providing industry training and education for others, and feels
he often learns through the writing process as well.
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Sunday, November 30, 2008
Matt Jeppsen | 11/30
The Canon 5D MKII doesn’t appear to suffer from excess rolling shutter skew
We’ve already seen some excellent video footage from the new Canon 5D MarkII DSLR camera. However, I’ve not really seen the sort of test footage that reveals CMOS wobble (the jello effect) or rolling shutter skew. While this isn’t a perfect test, I was encouraged to see a lot of motion in the following video shot on the streets of Beijing. It appears, anecdotally at least, that the 5D samples from it’s sensor much faster than the ultra-wobbly Nikon D90, and the camera sure looks like it would handle most situations with aplomb. Video embedded below.
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Friday, November 28, 2008
Matt Jeppsen | 11/28
Using freeware tools to prep Mark II HD footage for FCP
Canon’s new 5D Mark II DSLR with 1080p video mojo has been showing up in the hands of new users for the past few days, and the footage is hitting Vimeo faster than you can say “What’s a Scarlet?” One of the most pressing questions by Mac users is how to edit the compressed HD footage, which is captured as Quicktime H.264 files at 38.6 Mbits/sec. Reports suggest that FCP can edit the footage natively, but playback is likely to be choppy. That being the case, FCP users are recommending transcoding the footage into ProRes 422, for realtime playback and editing. ProRes is several times the bitrate of the MPEG-4 source files, but it should solve the playback issues.
An alert reader dropped me a Tweet this evening however, and he’s got a great workflow idea for those that can’t justify the additional disk space that ProRes transcoding requires. His workflow uses the free cross-platform MPEG Streamclip app to transcode the source files into the 35 Mbits/sec XDCAM EX codec, which can then be played back and edited in realtime in FCP. A tutorial video is embedded below…
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Thursday, November 27, 2008
Matt Jeppsen | 11/27
Canon’s accidental viral marketing genius continues selling DSLRs
If this guy isn’t on Canon’s marketing payroll, they need a wake up call. I imagine that he’s done more to sell the new Canon 5D MarkII than any other entity out there, including Canon.
Wednesday, November 26, 2008
Matt Jeppsen | 11/26
Evoking emotion with computer graphics
This spec spot by I ran across on Vimeo simply has to be seen. It took 4 months to render out the final composite…
Tuesday, November 25, 2008
Matt Jeppsen | 11/25
Constant change can be a bug, not a feature
The latest non-news on the Red Digital Cinema front is Jim Jannard’s coy announcement of yet another announcement date for their latest announcement. This one will be December 3rd. Predictably, the tagline reads “Everything has changed…”
Well at least they are honest about it. At least people know what they are getting into when they plunk down cash months (or arguably years) in advance of product delivery to finance a concept in development. At least Red admits they can and will change specifications and targets, based on their whims and sense of the market, and not necessarily what their customers have requested. At least Red One owners are aware of the fact that their camera system will be left unfinished, frequently buggy, and still a moving development target for years. It’s hard for me to be frustrated when I’ve poured my own tall glass of Red-flavored koolaid, and knew exactly what I was doing all along…
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Mark Spencer
Scaling Keyframes to Retime Your Animation
Mark Spencer
It’s time to get busy.
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