Matthew Jeppsen
Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee.
Kendal Miller
Kendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra.
He works on a wide variety of projects
ranging from commercial to independent film projects, working on one of
the first commercial Red projects in the midwest area. When he's not shooting
film or video he enjoys still photography as a hobby.
An original part of the
FreshDV team and contributing author to such magazines as DV and others
Kendal enjoys providing industry training and education for others, and feels
he often learns through the writing process as well.
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Monday, July 26, 2010
Matt Jeppsen | 07/26
Not really, but kinda
Intersting. Autodesk is releasing an iPhone and iPad app called Fluid FX that builds on their respected visual effects tech, and allows you to quickly and simply do some very interesting (and complex) things with these multi-touch interfaces. You can manipulate still images, or generate smoke, fire and other fluid effects using just your fingers and the multitouch interface. Is this the future of motion graphics interfaces? Demo video embedded below.
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Sunday, July 18, 2010
Matt Jeppsen | 07/18
Two pre-production digital cinema cameras du jour face off
Jim Jannard has posted some test charts shot by RED, comparing ARRI Alexa with the Red Epic MX. Given that Epic is currently in development as a prototype, it’s not a shocker that RED is the first to do any actual chart tests with Epic. The two tests were Dynamic Range and Resolution. On the resolution charts, RED bettered Alexa. That’s not that surprising, given RED’s historical fixation with resolution and that Epic has a 5K sensor. However, I thought that Alexa fared worst in resolution than it probably should have (less than 2K measured), given that it is a 3.5K sensor (though with larger photosites), so perhaps there are some issues there to iron out. I’m sure there will be subsequent tests from others that can confirm or dispute these results, so we’ll see. For today, I’d like to concentrate on the dynamic range charts, which most DP’s are probably more interested in. Read on…
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Wednesday, July 14, 2010
Matt Jeppsen | 07/14
Sony’s first answer to video DSLRs
Some time back, we mentioned a Sony teaser about an upcoming HD camcorder model that would feature interchangeable lenses and be compatible with Sony’s line of Alpha lenses. Since then, Sony has showed off a soon-to-ship point and shoot DSLR with similar capabilities, the NEX-5 (and it’s little brother, the NEX-3). I’ve had the opportunity to shoot extensively with pre-production and production versions of the NEX-5, and it’s a sweet little camera, though clearly intended for the consumer space given the lack of professional manual exposure controls. But we expected that from a small point and shoot.
Now, Sony is showing off their new interchangeable lens camcorder, and it’s been dubbed the NEX-VG10. This $2000 camera appears to be their response to the DSLR video revolution, and it’s a very good first step in my opinion. The VG10 features an APS-C sized sensor and has a mount that natively accepts Sony E-mount lenses. E-mount lenses are a new Sony standard that enables autofocus, something that many videographers need and can’t get from the current crop of video DSLRs. And for pro applications, you can add simple Sony mount adapter which allows you to use Sony Alpha lenses on the E-mount. Autofocus will not work via the Alpha mount adapter, however. This adapter greatly broadens your selection of professional glass options, while the stock 18-200mm E-mount lens offers autofocus and optical stabilization. Read on…
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Mark Spencer
MacBreak Studio Special Episode
Mark Spencer
Working with Angle of View
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