Matthew Jeppsen
Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee.
Kendal Miller
Kendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra.
He works on a wide variety of projects
ranging from commercial to independent film projects, working on one of
the first commercial Red projects in the midwest area. When he's not shooting
film or video he enjoys still photography as a hobby.
An original part of the
FreshDV team and contributing author to such magazines as DV and others
Kendal enjoys providing industry training and education for others, and feels
he often learns through the writing process as well.
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Sunday, January 08, 2012
Matt Jeppsen | 01/08
An animated short with a creative twist
Here’s a short, inspirational piece I spotted on Vimeo, entitled “Operation White Widow.” Hopefully this will stimulate your creativity. Watch below…
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Thursday, November 10, 2011
Matt Jeppsen | 11/10
Imagineer mocha tracking for Editors webinar, today at 10am PDT
This is last-minute notice, but there is a free mocha webinar today at 10am PDT. It’s a 90-minute webinar that will cover mocha tracking for editors. You can register free here.
Thursday, July 07, 2011
Matt Jeppsen | 07/07
How do to those cool flying words
Here’s a nice long tutorial on how to do that cool animated word thing that is so popular (and useful) these days. It’s all compliments of creative superstar Jesse Rosten. Watch below…
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Tuesday, March 22, 2011
Matt Jeppsen | 03/22
Stunning dynamic text tribute to Conan O’Brien’s farewell speech
We’ve all seen these fantastic “dynamic text” videos, that use animated text, generally cleanly laid out on a simple background, to convey information-dense concepts. For corporate video producers, it’s a good way to deal with the common situation when a client essentially requests what I call Video Powerpoint…that is, when the client demands a lot of text on screen, and isn’t creative enough to explore telling the story in other ways.
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Friday, November 19, 2010
Matt Jeppsen | 11/19
Simply stunning work
This commercial spot was done entirely with CG, and it’s simply beautiful. I would never have guessed this was done without live action high-speed filming.
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Tuesday, November 09, 2010
Matt Jeppsen | 11/09
This film looks better shot with a 1-degree shutter angle. Find out why.
180-degree shutter angle is the rule of thumb when shooting film & video. It almost always makes your images look better…unless you are a pro and you understand just when to break the rules. The following amazing Subaru spot is a great example of how to use knowledge of shutter angle/degrees to your benefit. It is all kinds of awesome! Watch below.
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Monday, July 26, 2010
Matt Jeppsen | 07/26
Not really, but kinda
Intersting. Autodesk is releasing an iPhone and iPad app called Fluid FX that builds on their respected visual effects tech, and allows you to quickly and simply do some very interesting (and complex) things with these multi-touch interfaces. You can manipulate still images, or generate smoke, fire and other fluid effects using just your fingers and the multitouch interface. Is this the future of motion graphics interfaces? Demo video embedded below.
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Sunday, December 06, 2009
Matt Jeppsen | 12/06
iPhone + custom tracking rig + CGI = subway apples
Since the iPhone 3GS came out with video recording features, a small subset of people have been pushing the limits of what is the accepted norm and using the device in actual production work. When the 3GS came out, Alex Lindsay put out a humorous video in which he attached the phone to a full Redrock Micro shouldermount stabilization rig. We all had a good laugh, and then suddenly Zacuto and others started making professional grade accessories for the device. There are handheld rigs with wide lenses, and even an iPhone stabilizer in the works. For the most part, iPhone video seems to be limited to quick and dirty video blogging, and the occasional music video. But by far the most professional use to date has to be the following spot courtesy of the geniuses at The Mill…
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Jeff Foster
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Allan Tépper
A contracted article, sponsored by Datavideo Corporation.
Laura Pursley
Intensive Presentation to highlight Thunderbolt-enabled device.
Ellen Gildersleeve
Girl with the Dragon Tattoo DP joins immersive visionary for exciting lineup.
Matt Jeppsen
Getting watery trick shots with this DSLR housing
Mark Spencer
Setting Up a Rig in Motion 5 on MacBreak Studio
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