Matthew Jeppsen

Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee.

Kendal Miller

Kendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra.

He works on a wide variety of projects ranging from commercial to independent film projects, working on one of the first commercial Red projects in the midwest area. When he's not shooting film or video he enjoys still photography as a hobby.

An original part of the FreshDV team and contributing author to such magazines as DV and others Kendal enjoys providing industry training and education for others, and feels he often learns through the writing process as well.

Sunday, February 01, 2009

Composing a More Dynamic Frame With Depth

Kendal Miller | 02/01

Using Depth Cues As A Visual Tool

By now we are all aware the filming something confines a three-dimensional reality into two-dimensional medium. So just by our choice of medium we begin with a contrived sense of reality. Now two-dimensionality is not inherently bad and in fact it can be a visual tool to convey a specific meaning. Depth is not inherently the right answer but as far as dynamics, a frame with depth is more dynamic than a flat one. Its all about taking control over what you want to convey emotionally to your audience. If that is what your script calls for then great use a flat space. However, many times finding ways to create depth will enhance the dynamics of your frame and increase the feeling of a three dimensional world. Look for ways to ad depth cues to your composition. Depth cues are any visual elements that provide the illusion of depth in the frame.  There are many types of depth cues that can either ad to your frame to increase depth or removed from your frame to create a flat space. We will examine three simple depth cues you can use to ad depth to your frame.

 

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