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Matthew Jeppsen
Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee. 
Kendal MillerKendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra. He works on a wide variety of projects ranging from commercial to independent film projects, working on one of the first commercial Red projects in the midwest area. When he's not shooting film or video he enjoys still photography as a hobby. An original part of the FreshDV team and contributing author to such magazines as DV and others Kendal enjoys providing industry training and education for others, and feels he often learns through the writing process as well. 
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Which ProRes quality level is Good Enough when editing DSLR footage?My experience using ProRes LT for Canon DSLR production
So I wanted to share some personal findings after working heavily with DSLRs for about a year and a half now. I’ve been converting most of my DSLR footage to ProRes LT for post-production, and have found it to be a good size-to-quality happy medium. In most cases, my projects will end up on DVD, web, or some kind of Standard Definition delivery, so LT allows me to strike a quality compromise that tends to be invisible after output. Even for HD applications, I think you’d be hard-pressed to find visible quality issues when editing with ProRes LT, assuming that you aren’t pushing the image too much in color-correction and grading. And let’s be honest, you probably shouldn’t be heavily grading DSLR footage anyway…for as much as I love DSLRs, the footage doesn’t like to be pushed hard. Read on… more »
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