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Thursday, June 02, 2011
Digital Cinema Real-World Available Light Test
Matt Jeppsen | 06/02
35mm, 16mm, Alexa, Red MX, PMW-F3 and DSLR compared
We geeks are pixel pushers, and we love charts and scientific testing of camera systems. It’s an essential part of understanding where the system breaks, and it informs your creative freedom on-set. That said, it is sometimes refreshing to see a comparative test from a common real-world shooting situation - working with available light. This is one such test, compliments of John Brawley. Watch below…
The test is simple…six cameras and formats, all shooting the same short film, in the same locations. All available light, with each graded to their unique advantages in post. Cameras used were as follows:
Aaton 35-3
Arri Alexa
Red MX
EOS 1DmkIV
Sony PMW F3 (was an engineering sample)
Aaton XTR PROD (Super 16)
Thanks to John Brawley for putting together such a well-thought-out comparison, with incredible consistency between each setup. Well done. And if you want more details on how they did it, read the blog post here.
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Adam Wilt | 05/07
RED’s Ted Schilowitz discusses 2012’s products, and a photo gallery.
RED’s “Leader of the Rebellion” Ted Schilowitz held a press conference at NAB on Monday, describing the projects and products RED is working on. Rather than paraphrase him, I’ve got him on card (well, it’s not “on…
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Art Adams | 04/09
There’s one color that will always bother us if it’s wrong: flesh tone. We tested ten common LED lights against a tungsten Inkie and a Kino Flo… come see the results!
Color comparison tests are hard. Color science is witchcraft, and objective color is exceedingly difficult to quantify. Comparison is really the only way to judge color, so we tested ten LED lights against two tungsten Tweenies and a 3200K 2’x4…
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Art Adams | 04/02
A dozen lights, an Arri Alexa, an intrepid crew… what could go wrong? Lots, which is why we had to work extra hard. Tests are never easy, and comparison tests are among the hardest of all.
“LED Light Shootout” sounds so dramatic, as if a collection of motley illuminants met in a dusty western town to settle their differences with bullets instead of marketing. It’s actually tedious, mind numbing work… and a real…
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What a great idea. Thanks for posting. Very useful.
Ra-ey
Posted by .(JavaScript must be enabled to view this email address) on 06/02 at 05:24 PM
Really liked teh vid!
Posted by Jake001 on 06/07 at 08:37 AM
The camera C, is my favourite, good test, thx…
Posted by ricettefamose on 06/08 at 12:38 AM
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Adam Wilt | 05/07
RED’s Ted Schilowitz discusses 2012’s products, and a photo gallery.
RED’s “Leader of the Rebellion” Ted Schilowitz held a press conference at NAB on Monday, describing the projects and products RED is working on. Rather than paraphrase him, I’ve got him on card (well, it’s not “on…
|
Art Adams | 04/09
There’s one color that will always bother us if it’s wrong: flesh tone. We tested ten common LED lights against a tungsten Inkie and a Kino Flo… come see the results!
Color comparison tests are hard. Color science is witchcraft, and objective color is exceedingly difficult to quantify. Comparison is really the only way to judge color, so we tested ten LED lights against two tungsten Tweenies and a 3200K 2’x4…
|
Art Adams | 04/02
A dozen lights, an Arri Alexa, an intrepid crew… what could go wrong? Lots, which is why we had to work extra hard. Tests are never easy, and comparison tests are among the hardest of all.
“LED Light Shootout” sounds so dramatic, as if a collection of motley illuminants met in a dusty western town to settle their differences with bullets instead of marketing. It’s actually tedious, mind numbing work… and a real…
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Matt Jeppsen | 04/02
Another beautiful video from director Jesse Rosten
Building Houses is the latest work from director Jesse Rosten, and it’s beautiful. Recommend watching this at 1080p…
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