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Thursday, March 17, 2011

Filed under: GentryMedia Sister SitesProVideo CoalitionPost ProductionVisual Effects

The subtle VFX work in Black Swan

Matt Jeppsen | 03/17

Good VFX execution that doesn’t draw undue attention

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The filmmakers of Black Swan have been discussed for the choice to shoot much of the film on 16mm stock, as well as some coverage being shot on the Canon 5D and 7D DSLRs (see IMDB tech specs). But I’ve seen very little coverage of the visual effects in the film, which you may be surprised to learn are rather extensive, including full-head replacements for a number of Natalie Portman dancing shots. They are also very subtly and tactfully executed. Here’s a behind the scenes video that shows clean plates, followed by composite and VFX plates…

There’s also some discussion currently on the quiet downplaying of the role of Portman’s body double, Sarah Lane, who did much of the ballet in the film.

UPDATE: Apparently, the film editor counted scenes with Natalie in them, and she actually did 80% of the dancing that appears in the film. More info here.

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Anton Bauer Unveils Gold Mount Solution and MATRIX Cheese Plate at NAB 2012

Jeremiah Karpowicz | 05/11

Take a close look at both products from the show floor

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At NAB 2012 Anton Bauer unveiled its QRC-CA940 Gold Mount solution for the new Canon EOS C300 digital cinema camera that is designed to streamline battery management for users.…

Making a Matte Painting with Elements in Motion in After Effects

Jeff Foster | 04/29

I take-apart a real-world project to show you how it was created

In the days of early motion picture making the art of “matte painting” was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the…

An A to Z of Building Projections - Part 1

ChrisZwar | 04/02

A behind the scenes look at two different building projection projects, including the largest building projection ever staged - the massive Alfa Bank show in Russia.  If you’ve ever wondered how these events are created then this is the video series for you…

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If you have any interest in motion graphics at all, you’ll have noticed the increasing popularity of building projections all around the world.
This two-part presentation gives a behind…


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Thanks for this. I just looked at iMDB and see that they used digital intermediate from film.

I’m curious about which company and format was. Any way to find out?

Thanks

wsmith

Posted by wsmith  on  03/19  at  09:50 AM


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Anton Bauer Unveils Gold Mount Solution and MATRIX Cheese Plate at NAB 2012

Jeremiah Karpowicz | 05/11

Take a close look at both products from the show floor

image

At NAB 2012 Anton Bauer unveiled its QRC-CA940 Gold Mount solution for the new Canon EOS C300 digital cinema camera that is designed to streamline battery management for users.…

Making a Matte Painting with Elements in Motion in After Effects

Jeff Foster | 04/29

I take-apart a real-world project to show you how it was created

In the days of early motion picture making the art of “matte painting” was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the…

An A to Z of Building Projections - Part 1

ChrisZwar | 04/02

A behind the scenes look at two different building projection projects, including the largest building projection ever staged - the massive Alfa Bank show in Russia.  If you’ve ever wondered how these events are created then this is the video series for you…

image

If you have any interest in motion graphics at all, you’ll have noticed the increasing popularity of building projections all around the world.
This two-part presentation gives a behind…

The Masters of Compositing Series - Part 2: Paul Vlahos

Jeff Foster | 03/27

Co-founder of Ultimatte and developer of modern compositing technologies.

This is the second in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended to produce…

To be considered for listing, contact pr (at) provideocoalition (dot) com


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