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Wednesday, July 25, 2007

Filed under: *VIDEO*CamerasTips

Calibrating a Light meter for Digital Video

Matt Jeppsen | 07/25

How to quickly and easily set up a light meter for use with digital video cameras

To use a light meter in concert with today’s digital video camera, you must first obtain the native ISO rating, or “baseline” sensitivity of your camera. Since manufacturers assign a lux rating in place of an ISO rating it is up to you determine the ISO. In the video I will walk you through the steps of setting up a light meter and calibrating it to your camcorder.

Just so people know, this will setup your baseline camera to your light meter, changing settings like shutter speed, frame rates, or adding filters of any type including NDs built into the camera need to be adjusted and compensated for in the light meter. This also goes for changing 35mm lens adapter brands, as each unit has a certain amount of light loss inherent in the system. In the case of lens adapters, it’s suggested that you baseline the camera with the lens adapter attached, consider both together as one complete camera system. And of course once a 35mm lens adapter is attached, the camera’s aperture should remain locked, all aperture adjustments made in concert with the light meter should be made on the 35mm lens, not the camcorder.

You will need the following gear to get started:

* Your video camera, make sure no filters of any type are in front of the lens, and ND’s are turned off.

* A flat, even light source. A softbox works well.

* A chip chart, or at minimum an 18% gray card.

* A light meter with cine functions, frames per second, and shutter angles. If you need to do shutter angle to shutter speed conversions, check out this post on the math to do those conversions.

* A waveform monitor of some sort if your camera does not have a built in spot meter. FYI, you can hook up your camera to a computer via firewire and use the waveform monitors in most NLEs, but be aware that some scopes programs cannot handle an HDV signal (downconvert cam output to DV in that case).

So you have everything together and ready to go? Excellent! Let’s jump on in. Watch the video tutorial here.

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Click to play audio / video »

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The Future of Technology is You

Art Adams | 10/31

New toys are great, but what’s more important is who plays with them.

Technology is always advancing, and we’re at the point in this industry where we’ll always have new toys on the near horizon. My question is: how much do these toys matter when it’s the people who use them who provide all the…

WhiteCap Video Relies on Fujiinon Lens and Image Stabilizer

PVC News Staff | 08/30

Shooting on the open seas, DP Cronin relies on Fujinon lens and image stabilizer

image

With an infusion of fun and adventure in all the work he does, Paul Cronin specializes in high-speed, extreme-condition footage for his company, WhiteCap Video. The…

You’ve read my writing, now hear my talking

Art Adams | 07/13

Yup, I got interviewed. If you have an hour to spare, here’s where to find it.

Izzy Hyman, of the website Izzy Video, interviewed me yesterday for his “Meet the Shooter” series.


You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Thank you for this great article and video!

I know the post is a few years old, but I have a question and this video has been the most informative on calibrating a light meter.

I am attempting to calibrate my Sekonic 758C with my Canon XH A1. The Canon does not have spot metering (it might be evaluative?) and due to time restraints setting up a waveform monitor is not an option. Can I get a close enough calibration with evaluative metering in-camera if I light my grey card very evenly?


Thank you so much!

Rina

Posted by .(JavaScript must be enabled to view this email address)  on  02/23  at  08:20 PM


2 questions. When calibrating the light meter, do I set my film camera lens to wide open when calibrating? 2nd…After my meter is set, whatever reading i get, do I set the fstop on my film lense and don’t touch the video lens aperture knob? I have a Canon XHA1 with the SGpro v3 lense adapter with Nikon 85mm 1.4 lens.

Posted by .(JavaScript must be enabled to view this email address)  on  06/22  at  11:31 PM


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The Future of Technology is You

Art Adams | 10/31

New toys are great, but what’s more important is who plays with them.

Technology is always advancing, and we’re at the point in this industry where we’ll always have new toys on the near horizon. My question is: how much do these toys matter when it’s the people who use them who provide all the…

WhiteCap Video Relies on Fujiinon Lens and Image Stabilizer

PVC News Staff | 08/30

Shooting on the open seas, DP Cronin relies on Fujinon lens and image stabilizer

image

With an infusion of fun and adventure in all the work he does, Paul Cronin specializes in high-speed, extreme-condition footage for his company, WhiteCap Video. The…

You’ve read my writing, now hear my talking

Art Adams | 07/13

Yup, I got interviewed. If you have an hour to spare, here’s where to find it.

Izzy Hyman, of the website Izzy Video, interviewed me yesterday for his “Meet the Shooter” series.

The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!

Art Adams | 04/19

If you’ve always wanted to find out if I present on video as well as I write… click here to find out!

I spent a lot of time in the DSC Labs booth at NAB, giving Chroma Du Monde demonstrations and teaching basic waveform/vectorscope tricks. PVC’s Scott Gentry stopped by and asked me to say a few words on video, and this is the result. Enjoy!

To be considered for listing, contact pr (at) provideocoalition (dot) com


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