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Thursday, May 06, 2010

Filed under: Production

Filmmaker Conversations - Shane Hurlbut and Bandito Bros

Matt Jeppsen | 05/06

40-minutes of Shane Hurlbut and Bandito Bros on DSLR Filmmaking

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Cinematographer Shane Hurlbut and his collaborators at Bandito Brothers in LA have been shaking up the industry as they embrace the DSLR filmmaking revolution. We sat down with Shane, Bandito’s Jacob Rosenberg, and publicist Hesh Rephun at their amazing LA-area facility to talk about DSLR filmmaking. You can watch this 40-minute interview in two parts here.

Click to play audio / video »

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DP Alex Buono Talks C300 At SF SuperMeet

Clint Milby | 01/31

SNL Veteran, Talks About Using the C300 For Network Television…

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Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to…

The 11th Annual San Francisco FCPUG SuperMeet

Clint Milby | 01/24

This Friday 1/27/2012—See, Get Seen and Win Big Prizes!

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If you’re planning to be in the San Francisco/Bay Area this Friday, then you have a great opportunity to attend the most renowned user group meetups in the world, the

Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”

Jeff Foster | 01/22

By Barry Andersson and Janie L. Geyen

There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally…


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I think the 5d is a pretty good camera for some stuff, (it’s good mainly for stuff that is staying on the web) but this underground marketing campaign to get us to BUY is outta control!

When I was going to film school, the whole DV revolution was happening.  Wherever I went, people were talking about how DV was going to change everything, and famous actors were shooting films with them, and how good the picture quality was.  I was shooting mostly 35mm and 16mm at the time, so when I got my hands on the Canon XL-1, I thought I didn’t know what I was doing when I saw the results.  Reds bled like crazy, the DOF sucked, everything was soft.  After really experimenting with the camera, I realized the camera sucked and happily went back to shooting 35mm and 16mm. 

How many DV features did you see in the theatre?  I saw one - Celebration (aside from some docs.)  I wonder how many HDSLR features we are going to see in the theatre?  My guess would be, not many.
 
Digital shooting is the way forward (clearly) due to shooting stereoscopically, but please, enough with the sales pitch on these cameras.  It’s not a real revolution; it’s a placeholder.

Posted by .(JavaScript must be enabled to view this email address)  on  05/06  at  02:17 PM


its a real pity that so many professional filmmakers completely forgot that sound is just as important as the visuals, especially when you’re shooting a discussion!!

adam

Posted by lightningad  on  05/10  at  05:33 AM


@adam, you are correct, we had some audio issues. Specifically a problem with a wonky audio recorder while shooting. Given our very limited time window for troubleshooting, we ended up using our backup audio solution. Did as much cleanup as we could in post, and released the interview as we feel the information was more important than pristine audio. Thanks for the feedback.

@hevets It remains to be seen, but I do think we’ll start to see more DSLR video on the big screen. It’s already in use, at least on a test basis, in television (see the latest ep of House, for instance). As to the underground campaign to buy that you reference, I don’t think that’s a fair statement. Most of the people that talk about DSLRs do so because they are passionate about the tech, not because Canon bought everyone out. Even those that speak at Canon’s events are there because they used the tech first, not because Canon approached them and said “please shoot with this instead.” Just my $0.02.

-MJ

Posted by Matt Jeppsen  on  05/12  at  11:09 AM


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DP Alex Buono Talks C300 At SF SuperMeet

Clint Milby | 01/31

SNL Veteran, Talks About Using the C300 For Network Television…

image

Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to…

The 11th Annual San Francisco FCPUG SuperMeet

Clint Milby | 01/24

This Friday 1/27/2012—See, Get Seen and Win Big Prizes!

image

If you’re planning to be in the San Francisco/Bay Area this Friday, then you have a great opportunity to attend the most renowned user group meetups in the world, the

Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”

Jeff Foster | 01/22

By Barry Andersson and Janie L. Geyen

There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally…

Working Pros Discuss the Canon C300

Matt Jeppsen | 01/16

Rodney Charters, Drew Gardner and Lan Bui discuss the Canon C300

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What happens when you get three working professionals together late at night with the Canon C300 camera and liquor? They shoot camera tests. And that’s exactly what happened when…

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