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Friday, January 09, 2009
New JVC Camcorder first with Native Quicktime Support
Matt Jeppsen | 01/09
GY-HM100 is the solid-state camera many users have been asking for
At the FCP SuperMeet at Macworld, JVC launched a new handheld camcorder, the GY-HM100. This camera is a very compact design, measuring roughly 6” x 7” x 14” and weighing under 3.5 lbs. However, don’t let it’s size fool you. JVC has packed the camera with useful features that users have been clamoring for. Normally, I’m not taken aback by JVC camcorder announcements. Yes, they launched the first affordable HDV camcorder years ago, but since then their offerings and upgrades have been small, logical steps without many of the exciting technology leaps. This is not to say their cameras aren’t excellent tools. It’s just that they aren’t very exciting, and I don’t feel that they have put a lot of pressure on their competitors to drive future innovation. That being said, this HM100 announcement has me taken aback, and I think it will apply pressure to JVC’s competition. Here’s why…
For starters, the GY-HM100 offers a host of MPEG2 Long GOP recording options. 1920x1080 (1080p24/25/30, 1080i), 1280x720P (p60/50/30/25/24), and at bitrates between 19Mbps and 35Mbps. So basically, JVC’s HDV variant, standard 25Mbps HDV, and XDCAM’s 35Mbps option. You choose. Moving along, these recording options originate from three 1/4-inch native progressive CCDs (using the typical green-shift spatial-offset) that capture full-raster 1920x1080 progressive images. The audio recording format? Uncompressed. Audio connections? XLR. Recording media? Standard SDHC cards. And for the pièce de résistance, the GY-HM100 is the first camcorder to include the option to record in a native Quicktime format. What that means is, you can pull the SDHC cards, and there are “pre-wrapped” XDCAM EX .mov files on there that can be instantly dropped on the NLE timeline and edited. No Log and Transfer, no re-wrapping nonsense, no messing around. The files are ready to edit right out of the camera. And if that’s not what you want, you can choose to record in the standard MPEG-2 Long GOP streams, like any standard camera would.
Do you see a pattern emerging here? JVC has realized that users want options. What they’ve put together in a camera is not any stunning technical achievement by itself, it is simply a collection of tools and features that users want. Which is a stunning achievement. Tools like 24p, progressive, multiple bitrate and format options, standard (cheap!) recording media, XLR audio. Options. No, it’s not perfect. For instance, the 3 1/4” CCD’s are a bit smaller than I’d prefer. But this collection of features in a camcorder that is expected to sell for $4000 will surely put pressure on the industry as a whole to deliver users more options. As a result, the HM100 may well become the next affordable small-format HD camcorder to beat when it is delivered in April of this year.
But wait, there’s more! The JVC press release refers to another model, the GY-HM700, to be released in March of this year. Preliminary specs include 1/3” CCD imagers, a larger LCD, the option to record to SxS card media, and Firewire, HDMI, and HD-SDI out included. Oh, and interchangeable lenses. This is very exciting news indeed.
Here is the link to JVC’s HM100 camcorder information page, and I’ve included specifications below.
Professional format recording with selectable data rates up to 35Mbps
Native Final Cut Pro format (i.e. .mov, no rewrapping or ingest process)
Fastest HD shoot to edit workflow. Edit immediately without conversion or transcoding
ISO Base Media File Format (i.e. standard MPEG streams)
Compatible with all major non-linear editing systems
Records to dual SDHC memory cards (no moving parts in recording system)
Full HD recording (selectable)
1920 x 1080 (1080p24/25/30, 1080i)
1280 x 720P (p60/50/30/25/24)
Fujinon HD lens with manual or auto modes
Extensive image customization modes (gamma, matrix, knee, detail, etc.)
Uncompressed LPCM audio (2ch) recording
Manual level controls with audio meter
XLR inputs with phantom power
60 Hz setting:
HQ mode:1920 x 1080/59.94i, 29.97p, 23.98p, 1440 x 1080/59.94i, 1280 x 720/59.94p, 29.97p, 23.98p
SP mode: 1440 x 1080/59.94i, 1280 x 720/59.94p, 29.97p, 23.98p
50Hz setting:
HQ mode:1920 x 1080/50i, 25p, 1440 x 1080/50i, 1280 x 720/50p, 25p
SP mode: 1440 x 1080/50i, 1280 x 720/50p, 25p
(Page 1 of 1 pages for this article )
Art Adams | 08/30
A directory of my best articles, sorted by topic.
This entry is a guide to my best articles, sorted by topic. Enjoy!
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Marc-Andre Ferguson | 02/03
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…
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PVC News Staff | 01/30
Can display 480i, 480p, 720p, 1080i, and 1080p video signals at a variety of frame rates
JVC Professional Products Company, a division of JVC Americas Corp., today announced the DT-X71 Series of portable ProHD LCD monitors. Ideal for field and studio applications, the new seven-inch AC/DC…
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Yes, this camera really excites me, as does a bigger version of it. This would be perfect for infomercial production.
Posted by Jonah Lee Walker on 01/12 at 12:46 PM
I’m looking for more info about the native Quicktime format mentioned here. The article states:
“...the GY-HM100 is the first camcorder to include the option to record in a native Quicktime format.”
There are so many different codecs that make up QT. What codec are they talking about? Is it an intra-frame codec or a long GOP codec? Thanks. pw
Posted by .(JavaScript must be enabled to view this email address) on 01/13 at 11:40 AM
All sources indicate that the QT format recorded is the XDCAM EX codec. So, it would be long-GOP in a QT wrapper, ready for editing.
-MJ
Posted by Matt Jeppsen on 01/13 at 11:53 PM
Matt, that’s what I thought. I was confused by the way the sentence was written. It seemed to indicate it was another option beyond the 25Mbps HDV and the 35Mbps XDCam. So the option is you can wrap the XDCam files in a QT wrapper. OK got it. Thanks. pw
Posted by .(JavaScript must be enabled to view this email address) on 01/14 at 07:27 AM
I’ve edited the article to add some clarifying details. Also changed errant “Mpbs” references to “Mbps.” Apparently I’m somewhat dyslexic…
Thanks for the feedback.
-MJ
Posted by Matt Jeppsen on 01/14 at 08:22 AM
Matthew, thanks for the clarification and the article too. pw
Posted by .(JavaScript must be enabled to view this email address) on 01/14 at 09:54 AM
Seems like the price will be in line with minDV cameras of the past that are similar in size - about 4G.
Posted by DanConklin on 01/15 at 01:21 PM
Their site say JVC developed a “proprietary codec capable of providing highly efficient compression up to 35 megabits per second,” so it’s not the same as XDcam. It’s very interesting though.
Posted by DanConklin on 01/15 at 02:29 PM
Dan, check out this video of the JVC announcement at the SuperMeet. In the last few minutes, there’s a demonstration of how to ingest the footage. The Apple rep specifically states that JVC licensed the XDCAM EX tech from Sony, and shows that FCP recognizes the media as XDCAM EX.
http://www.macvideo.tv/camera-technology/features/index.cfm?articleId=109356
-MJ
Posted by Matt Jeppsen on 01/15 at 06:22 PM
It makes sense because they already licensed XDCam for their SxS drive.
Posted by DanConklin on 01/16 at 08:42 AM
A JVC rep just told me it will be shipping in the USA in May. District Sales Managers will have one in March for hands on.
Posted by DanConklin on 01/21 at 02:37 PM
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Art Adams | 08/30
A directory of my best articles, sorted by topic.
This entry is a guide to my best articles, sorted by topic. Enjoy!
|
Marc-Andre Ferguson | 02/03
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…
|
PVC News Staff | 01/30
Can display 480i, 480p, 720p, 1080i, and 1080p video signals at a variety of frame rates
JVC Professional Products Company, a division of JVC Americas Corp., today announced the DT-X71 Series of portable ProHD LCD monitors. Ideal for field and studio applications, the new seven-inch AC/DC…
|
Jeff Foster | 01/29
Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software
Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs.…
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