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Back to Freshdv »    (Page 1 of 1 pages for this article ) Wednesday, April 22, 2009 Filed under: *VIDEO* •NAB 09 • NAB 2009 Video - Zeiss Compact Primes Matt Jeppsen | 04/22 A look at the new PL lens set from Zeiss At the Bandpro NAB booth, we got a look at the new Zeiss Compact PL Prime lenses, a relatively-affordable solution that utilizes ZF glass in a professional cine-style housing. (Page 1 of 1 pages for this article ) Back to Freshdv »                          ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams PVC News Staff | 02/10 In SCRATCH and SCRATCH Lab ASSIMILATE, Inc today announced that SCRATCH® and SCRATCH Lab® version 6.1 have achieved never-before-seen performance levels in the playback of RED EPIC Stereo content. SCRATCH Lab now provides… Revisiting the RED workflow, Smoke 2012 style Marc-Andre Ferguson | 02/03 My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.… 4K > 1080P? Matt Jeppsen | 01/30 Why you probably don’t need a 4K TV in your living room There’s a nice, ranty article over at CNET entitled “Why… You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE. Name: Email: Location: URL: Smileys Remember my personal information Notify me of follow-up comments? Submit the word you see below:				Gear In 60 Seconds – Nauticam NA-60D 4K > 1080P? Daily Inspiration - Fleet Foxes Montezuma Working Pros Discuss the Canon C300 Lytro is the new RAW? Daily Inspiration - Operation White Widow So You Want to Buy a RED Scarlet? Free mocha webinar today 29 Ways to Stay Creative Gear In 60: SmallHD Monitor Case Gear In 60: Travel Lighting & Grip Kit Filming Inception’s Corridor & Zero-Gravity Sequences Kinetic Typography Motion Graphics Tutorial Switching from Final Cut to Premiere Cine Gear 2011 Video Coverage Digital Cinema Real-World Available Light Test FreshDV NAB 2011 Video Coverage PMW-F3 Dynamic Range Test NFL Behind the Scenes DSLR POV Editors: Quietly Making You Look Better Since 1903 NEX FS-100 Overview and First footage Your Daily Motion Graphics Inspiration PMW-F3 vs AG-AF100 vs 5D MKII The subtle VFX work in Black Swan Confirmation on Sony F3 native sensitivity Shutter Speed vs FPS Which ProRes quality level is Good Enough when editing DSLR footage? Analyzing what you see in a film frame Courage Under Lighting Constructing a helmet cam 3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects ProPhoto Coalition ProAudio Coalition Pro3D Coalition HDSLR Coalition News RSS Feeds NewsLetter Contact Adobe Vendor Blog Sony Livewire VideoGuys Createasphere

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