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Sunday, February 07, 2010

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Daily Inspiration - Nuit Blanche

Matt Jeppsen | 02/07

The making of an amazing VFX-heavy short film

image

What do you get when you mix a unique story concept with unearthly special effects and a stirring soundtrack? You get this stunning dose of filmmaking inspiration…

Nuit Blanche

Nuit Blanche from Spy Films on Vimeo.

The Making of Nuit Blanche

Making Of Nuit Blanche from Spy Films on Vimeo.

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Making a Matte Painting with Elements in Motion in After Effects

Jeff Foster | 04/29

I take-apart a real-world project to show you how it was created

In the days of early motion picture making the art of “matte painting” was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the…

The Masters of Compositing Series - Part 2: Paul Vlahos

Jeff Foster | 03/27

Co-founder of Ultimatte and developer of modern compositing technologies.

This is the second in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended to produce…

The Masters of Compositing Series - Part 1: Petro Vlahos

Jeff Foster | 02/21

Inventor of the Sodium Vapor Compositor and the Blue Screen Color Difference Traveling Matte & Multiple Oscar recipient

This is the first in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended…

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Stunning, absolutely stunning.
I know it was work of passion, but I’d love to know how much they actually spent on it - not including the hundred of hours in post!
Ra-ey

Posted by .(JavaScript must be enabled to view this email address)  on  02/07  at  04:51 PM

I saw this about a week or two ago and after watching it again I am still amazed at what a great little short this is!  Best part is there is no dialogue and, no VO, just pure visuals that drive a great little love story.  Nicely done!

Posted by mikeburton  on  02/10  at  06:19 PM

Fantastic! Not much else to say. I am sharing with professional friends. They have to see this.

Posted by .(JavaScript must be enabled to view this email address)  on  02/16  at  01:06 PM

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Making a Matte Painting with Elements in Motion in After Effects

Jeff Foster | 04/29

I take-apart a real-world project to show you how it was created

In the days of early motion picture making the art of “matte painting” was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the…

The Masters of Compositing Series - Part 2: Paul Vlahos

Jeff Foster | 03/27

Co-founder of Ultimatte and developer of modern compositing technologies.

This is the second in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended to produce…

The Masters of Compositing Series - Part 1: Petro Vlahos

Jeff Foster | 02/21

Inventor of the Sodium Vapor Compositor and the Blue Screen Color Difference Traveling Matte & Multiple Oscar recipient

This is the first in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended…

Basic Lighting Setups for Green Screen

Jeff Foster | 01/23

from the “Green Screen Workshop: The Setup” series

There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting…

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