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Thursday, September 25, 2008
Redrock Micro cinescreen ground glass upgrade cuts light loss
Matt Jeppsen | 09/25
Redrock updates the venerable M2 lens adapter with an improved imaging screen
Today Redrock Micro announced an improved ground glass imaging screen for their M2 35mm lens adapter system. The new ground glass element has been dubbed cinescreen II, and Redrock has said it offers “significant improvements in light transmission, contrast, and sharpness.” I’ve not had an opportunity to examine images shot with the new element, but Redrock isn’t being shy about it’s performance…
“With the cinescreen II, we feel we have the best screen (ground glass) of any 35mm adapter in the market today,” said James Hurd, Chief Revolutionary for Redrock Micro. “As you look at all the performance factors including light loss, falloff, linear response, and bokeh rendition, the cinescreen II stands alone.”
In addition to greatly improved light transmission, the cinescreen II also delivers outstanding performance in the important aspects of light falloff, bokeh rendition, and stable performance when stopping down. Unlike other solutions whose light transmission and falloff deteriorates as you stop down, the cinescreen II performance continues to be top notch.
The cineScreen II should be available October 1, the initial upgrade price is $125. They have stated that list price is $250, so pricing may vary in the future I suppose. The update can be installed by M2 users, but third party installation services are also available. You can learn more at www.redrockmicro.com.
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Adam Wilt | 05/02
A brief sampling of interesting photographic tools at NAB.
I’ve already covered the basics of what Sony and Panasonic announced, as well as looking at Canon’s…
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Bruce A Johnson | 04/17
For those REALLY low-angle shots.
Skateboard wheels are in a lot of booths here at NAB 2012, but none go lower than the ones on the Mini Dolly Slider.
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Adam Wilt | 02/26
Using Sony A-mount (and a couple of E-mount) lenses for video on the NEX-FS100.
Sony sent me an NEX-FS100 to review , and included seven additional lenses: three A-mount zooms, three A-mount primes, and the E-mount…
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Adam Wilt | 05/02
A brief sampling of interesting photographic tools at NAB.
I’ve already covered the basics of what Sony and Panasonic announced, as well as looking at Canon’s…
|
Bruce A Johnson | 04/17
For those REALLY low-angle shots.
Skateboard wheels are in a lot of booths here at NAB 2012, but none go lower than the ones on the Mini Dolly Slider.
|
Adam Wilt | 02/26
Using Sony A-mount (and a couple of E-mount) lenses for video on the NEX-FS100.
Sony sent me an NEX-FS100 to review , and included seven additional lenses: three A-mount zooms, three A-mount primes, and the E-mount…
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Adam Wilt | 02/26
Variable NDs replace a boxful of filters, and allow smooth exposure changes… for a price.
The Sony NEX-FS100 has no internal neutral density filters, and its telescoping 18-200mm lens doesn’t work well with matte boxes.…
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