(Page 1 of 1 pages for this article )

Sunday, February 27, 2011

Filed under: CamerasGentryMedia Sister SitesProVideo Coalition

Confirmation on Sony F3 native sensitivity

Matt Jeppsen | 02/27

800 ISO native and 6400 ISO equivalent at 18dB gain!

image

A couple weeks ago FreshDV linked to a C47 video where Jem Schofield discussed seeing the PMW-F3 in use in a high-ISO test. At that time, Jem indicated he thought the native sensitivity rating of the camera was 800 ISO and that it offered a 6400 ISO equivalent with 18dB of gain engaged. He also talked about how clean the image was, even at 18dB of gain…which piqued my interest greatly. Well it’s all been confirmed now by Andy Shipsides from AbelCine, as he posted these figures over on a DVinfo forum thread...

-3 db - 640 ISO

0 db - 800 ISO

3 db - 1250 ISO

6 db - 1600 ISO

9 db - 2000 ISO

12 db - 3200 ISO

18 db - 6400 ISO

There is more info in that forum thread linked above, on the video format and settings used in Andy’s tests…as well as caveats about the Cine gamma modes, so check it out. Andy also has promised to blog pictures and more info soon. He’s already posted a Chroma DuMonde chart framegrab that was shot at 6400 ISO, and it looks rather clean indeed. So go peep the thread and also keep an eye at Abel’s blog for more info.

(Page 1 of 1 pages for this article )


                    Clip to Evernote

 

Sony quietly announces the NX30 camcorder, a little sister to the NX70

Allan Tépper | 05/08

With an 1/2.88" sensor and 26mm wide angle (35mm eqv), the NX30 should ship in June for well under US$2500.

image

Although during the past year I’ve written quite a bit about the Sony NX70 (officially, the HXR-NX70) here in ProVideo Coalition magazine, I haven’t…

NAB 2012: Cameras & Lenses

Adam Wilt | 05/02

A brief sampling of interesting photographic tools at NAB.

I’ve already covered the basics of what Sony and Panasonic announced, as well as looking at Canon’s…

NAB Sunday: Panasonic and Sony Press Conferences

Adam Wilt | 04/15

What the two big camera companies taked about officially.

When big companies hold press conferences, they’re a mix of marketing / sales encomiums from happy customers, and some actual useful information about technologies and products. I’ll mostly focus on the tech stuff that Panasonic and Sony…


You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Love to hear what you think about this post, drop us a comment below. Thanks!

-MJ

Posted by Matt Jeppsen  on  02/27  at  01:40 PM


Thanks Matt.

After working with the EX1 when it was released, For Sony, 0dB gain is not 0dB. You have to set it back to -3dB to get true 0dB.

Is that still the case with the F3?

Thanks

Posted by wsmith  on  03/01  at  07:26 AM


I don’t know. Do you have info on that concern with the EX1? Or is that a personal observation?

-MJ

Posted by Matt Jeppsen  on  03/01  at  07:37 AM


Hi Matt,

No concerns now that I know that to get true 0dB you need to set Sony cameras back to -3dB.

I learned this by watching Vortex Media’s tutorial DVD on the EX1. The producer of the video stated that this is a fact on all Sony cameras.

I suppose that, for practical purposes, if 18db electronic gain is so noiseless then the difference btwn 0db and -3dB is a negligible and undiscernable difference.
 
I just like to know these things.

Posted by wsmith  on  03/01  at  09:06 AM


Cool, thanks for that Vortex Media reference. That’s the first time I’d heard the 0/3dB thing, so was just wondering.

-MJ

Posted by Matt Jeppsen  on  03/01  at  09:10 AM


It’s not correct that -3db is true 0db on Sony gear. -3db actually limits dynamic range from 109% to 105%. It pulls the floor up by 3db, but the clip point remains the same, ergo 0db is 0db.

I haven’t seen the Vortex DVD, but are you sure your not misreading what was said?

Dave

Posted by David Williams  on  03/01  at  05:57 PM


Hi dave,

Nope, I’m sure I didn’t misunderstand what he said.

Not quite trusting the info I got some verification on it independently but can’t recall where.

I think you can contact the producer/host who owns Vortex and even Sony if desired. Please let us know what you find.

Posted by wsmith  on  03/01  at  06:37 PM


Hmmm, well this is how I’ve always understood it to work, nicely illustrated here by Art Adams.

http://provideocoalition.com/index.php/aadams/story/no_pain_no_gain/

I’ll refer Doug Jensen from Vortex here.

Dave

Posted by David Williams  on  03/01  at  08:53 PM


Doug just shot me this reply, he doesn’t have time to register here he’s shooting, and asked me to post this. He’s often the dvinfo.net forums if you’d like to ask yourself. Cheers, Dave.

Hi,

This is Doug Jensen, and I’m the producer of the Vortex Media XDCAM training DVDs.  There must be a misunderstanding, because I have never said that -3 is really 0db on the EX1/3/F3 or any other Sony camera.  What I may have said is that a camera manufacturer can arbitrarily set “0” to whatever they want.  But 0 is usually where the camera will perform with the greatest dynamic range.  However, with that said, when I shoot with the EX1/3 I shoot at -3 nearly 100% of the time because it produces cleaner blacks.  Whatever negative affect that causes on the dynamic range is less important to me than have less noise in the shadows.  The F3 is a different story or another time.  Thanks Dave, for inviting me to set the record straight.


Thanks,
Doug

http://www.VortexMedia.com/

Posted by David Williams  on  03/02  at  05:27 AM


Thanks Dave.

It’s been quite a while since watching the DVD so I guess my recollection isn’t what it was.

Interesting re Mr. Jenson’s comments however. I had a big corporate project using 2 original EX1s and operated both at -3dB based on his insight and I would agree that the dynamic range and the black were both great so…

Posted by wsmith  on  03/02  at  05:52 AM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:











Sony quietly announces the NX30 camcorder, a little sister to the NX70

Allan Tépper | 05/08

With an 1/2.88" sensor and 26mm wide angle (35mm eqv), the NX30 should ship in June for well under US$2500.

image

Although during the past year I’ve written quite a bit about the Sony NX70 (officially, the HXR-NX70) here in ProVideo Coalition magazine, I haven’t…

NAB 2012: Cameras & Lenses

Adam Wilt | 05/02

A brief sampling of interesting photographic tools at NAB.

I’ve already covered the basics of what Sony and Panasonic announced, as well as looking at Canon’s…

NAB Sunday: Panasonic and Sony Press Conferences

Adam Wilt | 04/15

What the two big camera companies taked about officially.

When big companies hold press conferences, they’re a mix of marketing / sales encomiums from happy customers, and some actual useful information about technologies and products. I’ll mostly focus on the tech stuff that Panasonic and Sony…

NAB 2012:  Sony Press Conference

Bruce A Johnson | 04/15

Memories of things past…....

The annual Sony NAB press conference was held at Las Vegas’ Hard Rock Hotel, with a setting that seemed to be a bit less grandiose than previous years.  Perhaps this is fitting considering that Sony recently announced as many as 10,000 layoffs coming in the near future.  But even without that hanging over the festivities, the announcements made by Senior Vice President for Broadcast & Production Systems Alec Shapiro…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank