ProVideo Coalition.com: FRESHDV by Matthew Jeppsen & Kendal Miller

Matthew Jeppsen

Matthew Jeppsen is the founder of FreshDV and a digital video shooter and editor. By most reports he is powered entirely by coffee.

Kendal Miller

Kendal Miller has over 10 years experience in the production industry. Currently he is working as Director of Photography in Chicago, IL where he resides with his wife Kendra.

He works on a wide variety of projects ranging from commercial to independent film projects, working on one of the first commercial Red projects in the midwest area. When he's not shooting film or video he enjoys still photography as a hobby.

An original part of the FreshDV team and contributing author to such magazines as DV and others Kendal enjoys providing industry training and education for others, and feels he often learns through the writing process as well.

Friday, January 04, 2008

XDCAM EX1 Hands-On - Final Cut Pro Workflow

Matt Jeppsen | 01/04

The basics of using Sony’s SxS camcorder

This article is part of a series of tests FreshDV conducted with the Sony XDCAM PMW-EX1. Thanks to Miami rental house and Sony dealer Midtown Video for providing a XDCAM EX camera. And thanks to DSC Labs for providing test chart patterns. You can read more about ours and others experiences with this camera here.

For our testing Midtown Video provided FreshDV with a EX1 camcorder with the 8GB SxS media card. Before the camera arrived, I downloaded the latest XDCAM Transfer software and SxS drivers. I also had to ensure that I was at the latest FCP version, 6.0.2, and I also brought my Tiger OS and Quicktime versions up date using Software Update (I’ve been a bit behind, these things make me nervous). I should note that I am using Final Cut Studio on a PPC G5 2.7 Dual. I did not have a computer with ExpressCard slot available for these tests, so the USB connection on the camcorder was used. It simply uses a standard USB cable with mini connector on the camcorder end. Footage shot was a mixed bag…most of the time the card ended up with a mix of SP, HQ, and overcranked 60p footage on it. But regardless of the format, the import procedure into FCP is the same. I wanted to note my experiences with that process.

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