Jim Feeley

Jim Feeley is a producer, journalist, and occasional audio mixer at POV Media, a northern California production company.

In previous lives, Jim made microphones, played music, raced bikes, and edited Digital Video magazine (not all at the same time). He currently focuses on nonfiction writing and documentary production. Most of his work fits under the large umbrella of technology, science, and policy (with a little sports tossed in).

Since books and docs pay just a bit better than poetry and juggling, he also works on projects for corporate clients. He buys all the equipment he needs to buy, rents the rest, and struggles to resist facility creep.


Friday, July 04, 2008

Film vs. RED

Funny, but R-rated language.

A bad day at AH Films (humor)


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Find Your Voice
steve martin

Recording & Editing Multi-take Voice Overs in Soundtrack Pro

Color Workflows With Different Video Formats
Andrew Balis

Getting Video In and Out of Color

Photoshop & Motion
Mark Spencer

Two Great Tastes That Taste Great Together

Stock Footage Options Continue To Expand
Mark Spencer

It’s getting cheaper and easier to find stock footage for your project

Motion and the OoO, Part 2
Mark Spencer

A Two-Part Motion Tip

The HD Survival Handbook
Brian Gary

Philip Hodget’s Tome on All Things High Definition







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Find Your Voice

steve martin | 07/30- 11:51 AM

Recording & Editing Multi-take Voice Overs in Soundtrack Pro

In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor.

Click here to watch tutorial

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Color Workflows With Different Video Formats

Andrew Balis | 07/22- 11:51 AM

Getting Video In and Out of Color

One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color.  This article relates to users of Color version 1.0.2 or later.  We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV. 

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