Jay Rose

Jay Rose CAS is a Clio- and Emmy-winning sound designer whose studio career has included program opens for NBC, documentaries and spots for PBS and MGM, videogames for Parker Brothers, and close to a thousand independent film and video projects. He's also programmed audio software for broadcast manufacturers Eventide and Orban, written a column for DV Magazine and a few best-selling books about sound for film and video, and been a section officer of the Audio Engineering Society. More tutorials, humor, and info about his studio at dplay.com.


Sunday, July 27, 2008

Required (Re)reading

A short essay can turn you into a better filmmaker.

image

What do Ratatouille, The Simpsons Movie, What Lies Beneath, Cast Away, and Forrest Gump have in common? You can add a couple of dozen other titles to the list, including Howard the Duck and some of the Harry Potter movies, if that’ll help. Give up?

more »


Audio • (3) Comments • Most recent comments by: billS, Mark Spencer, Chris Meyer, • Permalink



Tuesday, July 22, 2008

Rolling Your Own

A free utility lets you assemble audio tools in an instant. It’s also fun to play with.

image

When I started, an audio room was a collection of tape recorders, rack-mount processors, and a console. (Software? You wore a cotton shirt so it would stay comfortable through an 18-hour session.)

 

more »


Audio
Post Production • (1) Comments • Most recent comments by: Adam Wilt, • Permalink



Sunday, July 13, 2008

This month, Peas

A famous,funny outtakes tape is worth another listen.

There’s an hilarious tape that’s been making the rounds for decades*. Actor/director Orson Welles is reading voiceovers to picture for some food spots. The copy is bad, the agency direction is worse, and Welles is not suffering fools that day. The third script is so ludicrous he gives up, and storms out of the studio.

more »

(2) Comments • Most recent comments by: Mary Yurkovic, Stefan Sargent, • Permalink



Wednesday, July 09, 2008

Wrong, wrong!

image

Olympics Researchers get their physics messed up, twice. Here’s why it matters to every filmmaker.

According to an article in yesterday’s New York Times, Olympic sprinters who are closer to the starting gun get better results. Researchers at the University of Alberta wondered why. They thought it might have something to do with the starting gun: obviously, the runners who are closer to the gun hear it louder than those farther away, and volume can affect neural response.

more »


Audio
Production • (6) Comments • Most recent comments by: Mary Yurkovic, andrew77, peter, Mary Yurkovic, peter, Anthony, • Permalink



Tuesday, July 08, 2008

Make Her Sound Like I Love Her

Sexual attractiveness may be partly a question of ear candy.

I actually got that “Make her sound…” direction early in my career, while mixing a spot. The agency producer must have had something in mind - they usually do - but I had no idea what. Eventually he settled for a little extra mid-low boost. I could have also slid in a couple of extra, husky breaths… but the spot’s timing was tight already.

Dale Launer had a more creative solution in his 1992 comedy Love Potion No. 9...

more »


Audio • (1) Comments • Most recent comments by: • Permalink



Monday, July 07, 2008

Time Out of Joint

Fixing lipsync for humans… and others

Sesame Street’s Cookie Monster was a guest on the Colbert Report about a week ago, talking about balanced diets. (A fake monster on a fake commentary show that spun off a fake news show… come to think on it, Cookie performed through a window that was directly above Colbert’s fake fireplace, where the chimney normally would be.)

more »


Audio • (0) Comments • • Permalink



Page 2 of 2 pages  <  1 2



My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.







My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank