Sunday, July 27, 2008

Required (Re)reading

A short essay can turn you into a better filmmaker.

What do Ratatouille, The Simpsons Movie, What Lies Beneath, Cast Away, and Forrest Gump have in common? You can add a couple of dozen other titles to the list, including Howard the Duck and some of the Harry Potter movies, if that’ll help. Give up?

Audio • (3) Comments • Most recent comments by: billS, Mark Spencer, Chris Meyer, • Permalink

Tuesday, July 22, 2008

Rolling Your Own

A free utility lets you assemble audio tools in an instant. It’s also fun to play with.

When I started, an audio room was a collection of tape recorders, rack-mount processors, and a console. (Software? You wore a cotton shirt so it would stay comfortable through an 18-hour session.)

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Post Production • (1) Comments • Most recent comments by: Adam Wilt, • Permalink

Sunday, July 13, 2008

This month, Peas

A famous,funny outtakes tape is worth another listen.

There’s an hilarious tape that’s been making the rounds for decades*. Actor/director Orson Welles is reading voiceovers to picture for some food spots. The copy is bad, the agency direction is worse, and Welles is not suffering fools that day. The third script is so ludicrous he gives up, and storms out of the studio.

(2) Comments • Most recent comments by: Jay Rose, Stefan Sargent, • Permalink

Wednesday, July 09, 2008

Wrong, wrong!

Olympics Researchers get their physics messed up, twice. Here’s why it matters to every filmmaker.

According to an article in yesterday’s New York Times, Olympic sprinters who are closer to the starting gun get better results. Researchers at the University of Alberta wondered why. They thought it might have something to do with the starting gun: obviously, the runners who are closer to the gun hear it louder than those farther away, and volume can affect neural response.

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Production • (6) Comments • Most recent comments by: Jay Rose, andrew77, peter, Jay Rose, peter, Anthony, • Permalink

Tuesday, July 08, 2008

Make Her Sound Like I Love Her

Sexual attractiveness may be partly a question of ear candy.

I actually got that “Make her sound...” direction early in my career, while mixing a spot. The agency producer must have had something in mind - they usually do - but I had no idea what. Eventually he settled for a little extra mid-low boost. I could have also slid in a couple of extra, husky breaths… but the spot’s timing was tight already.

Dale Launer had a more creative solution in his 1992 comedy Love Potion No. 9…

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Monday, July 07, 2008

Time Out of Joint

Fixing lipsync for humans… and others

Sesame Street’s Cookie Monster was a guest on the Colbert Report about a week ago, talking about balanced diets. (A fake monster on a fake commentary show that spun off a fake news show… come to think on it, Cookie performed through a window that was directly above Colbert’s fake fireplace, where the chimney normally would be.)

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