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Jay Rose
Jay Rose CAS is a Clio- and Emmy-winning sound designer whose studio career has included program opens for NBC, documentaries and spots for PBS and MGM, videogames for Parker Brothers, and close to a thousand independent film and video projects. He's also programmed audio software for broadcast manufacturers Eventide and Orban, written a column for DV Magazine and a few best-selling books about sound for film and video, and been a section officer of the Audio Engineering Society. More tutorials, humor, and info about his studio at dplay.com. 
August 2008July 2008Complete Archives
Hilarious. Also true.QuickTime QuickiesFree BookVacuum PackedLiving with (Data) LossHearing What’s Not ThereDeep Throat, CetaceanSour NotesRequired (Re)readingRolling Your OwnThis month, PeasWrong, wrong!Make Her Sound Like I Love HerTime Out of Joint |
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Tuesday, August 19, 2008Vacuum PackedCompress audio files without losing quality? You can, if you measure them the right way.
My last two blog tutorials discussed neural masking, and how an mp3 or AAC can be good enough for broadcast or film sound when you do it right. (If you followed the link to my website, you even got proof.) But sometimes, even AAC’s tiny losses can be too much: you might be sending elements that will be processed or compressed more, or be saving an archive. While most non-audio files can be successfully squeezed with Winzip or Stuffit, those processes behave strangely with audio. more »Audio • Distribution • Post Production • (2) Comments • Most recent comments by: Jay Rose, Travis, • Permalink Page 1 of 1 pages |
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