Friday, April 13, 2012

Lighting Fire and Liquids: Playtime with the Sony FS700

Art Adams | 04/13- 05:00 PM

Water, ice, fire and a prototype Sony FS700 slow motion camera. What could POSSIBLY go wrong?

Adam Wilt gets to play with the best toys, in this case a prototype Sony FS700 slow motion camera. He invited me over to play, and the results were really, really interesting. Adam’s article talks about some of the technical issues he ran across, so in this article I’m going to focus on the lighting side of what we did.

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Monday, April 09, 2012

LED Light Tests: Flesh Tone and Color Comparison Shootout

Art Adams | 04/09- 07:27 AM

There’s one color that will always bother us if it’s wrong: flesh tone. We tested ten common LED lights against a tungsten Inkie and a Kino Flo… come see the results!

Color comparison tests are hard. Color science is witchcraft, and objective color is exceedingly difficult to quantify. Comparison is really the only way to judge color, so we tested ten LED lights against two tungsten Tweenies and a 3200K 2’x4 Kino Flo. The results are… interesting.

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Friday, April 06, 2012

BEHIND THE SCENES: Smoke in the Woods with the Canon 5D

Art Adams | 04/06- 02:43 PM

Where there’s smoke there’s fire… or a production company shooting a PSA for a non-profit. This is how you create a high-end look on a budget.

When production companies ask me to shoot spots on the Canon 5D MkII I don’t flinch anymore. Sure, it’s not the most user friendly camera in the world, but I can’t complain about the images I can make with it. And no one else does, either.

In this case, half the battle was putting the camera in the right place at the right time—and quickly. It was the perfect camera for a small, fast-moving project.

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Monday, April 02, 2012

LED Light Tests: PRG Sponsors an LED Light Shootout

Art Adams | 04/02- 03:44 PM

A dozen lights, an Arri Alexa, an intrepid crew… what could go wrong? Lots, which is why we had to work extra hard. Tests are never easy, and comparison tests are among the hardest of all.

“LED Light Shootout” sounds so dramatic, as if a collection of motley illuminants met in a dusty western town to settle their differences with bullets instead of marketing. It’s actually tedious, mind numbing work… and a real eyeopener.

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Monday, March 26, 2012

Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D

Art Adams | 03/26- 06:37 PM

“Just for the web” is no reason to skimp on a project’s look. A few simple tricks made this web spot shine.

A web spot may be seen by more people than a broadcast spot, so making it pretty is more important than ever. In this case, simple but elegant lighting and custom gamma curves made this spot shine. (And when shooting kids, “simple” becomes very important.)

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Saturday, January 28, 2012

LIGHTING STRATEGIES: Exploiting a Single Light Source

Art Adams | 01/28- 11:14 AM

Sometimes all it takes to make a beautiful picture is placing one light—as long as it’s the proper light source. This still photo shows an example of one style of soft lighting that’s been in use for centuries, and for good reason: it works.

There are few things more elegant than lighting a shot with a single light source. It doesn’t always work, but when it does—it’s magical.

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Monday, January 23, 2012

Basic Lighting Setups for Green Screen

Jeff Foster | 01/23- 11:05 PM

from the “Green Screen Workshop: The Setup” series

There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting setup you’re going to require. Will it be in a studio? On-location? Indoors or outdoors? Full-length with walk-ons or just a talking head? Will your actors be making contact with the screen? These are all questions covered in this video lesson from my Green Screen Workshop series - this is a FREE video lesson, so enjoy!

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Sunday, January 22, 2012

Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”

Jeff Foster | 01/22- 02:09 PM

By Barry Andersson and Janie L. Geyen

There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally clueless about the process or where to even start - thus making every mistake in the book in the process. The DSLR Filmmaker’s Handbook: Real World Production Techniques (Sybex ISBN 978-0-470-87660-2) aims to help you get started with not only the basics of using the gear, but also the film-making production process in a visual overview - PLUS some very cool tips & tricks.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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