The HVX-200 Strikes Again

A while back I wrote an article about a spec shoot I did promoting an as-yet unfunded motion picture project. For various reasons the project wasn’t finished, so I took it upon myself to cut the footage into a short piece for my reel. I mixed in some footage from a light drawing test that we did for the same project using a Canon DSLR.

I Decide: Anatomy of a No-Budget HD Spot

This was the first project shot for California’s No on Prop 8 campaign. In an attempt to reach out to young voters I recruited my cousin Catherine, and her best friend Austin, to record an appeal for youth to get up and vote down Prop 8. They’re both politically active and immediately said “yes” to the project.

Lighting diagrams for the Mac: Omnigraffle

I don’t have a lot of time to learn new software packages, so I tend to fall in with packages that don’t require me to read the manual. That’s why Omnigraffle works for me.

Go craaaaazy: fill from the key side!

In a recent article I wrote about how I like to fill from the key side, and I’ve since received a couple of requests for an explanation of what I’m talking about.

It’s still not the camera!

Today, on the CML-Basics list, someone posted that they liked the look of my recent HVX-200 projects so much that they were thinking of asking for an HVX-200 on their next low-budget feature project. This was my response:

Ooops, we did it again

Recently I wrote of a wildly successful music video shoot I did with the HVX-200. Well, we did it again.

A few weeks ago I shot a music video project with director Jono Schaferkotter. The project turned out spectacularly well in spite of working with an eager, but inexperienced, crew and an HVX-200. Between picking shots that worked within the confines of what we could achieve with the gear we had, along with some basic color correction in Final Cut Studio using Magic Bullet Looks, the project looked much better than it had any right to, considering the budget was about $200.

Cine Gear Expo 2008 - Day 2

Cine Gear Expo on the blazing-hot Universal backlot

Day 2 of Cine Gear Expo dawned sunny and hot—our in-car temperature display registered 102 degrees Fahrenheit by 1:30pm. Despite the heat, there were plenty of things worth seeing.

Cine Gear Expo 2008 - Day 1

Cine Gear Expo on the Universal back lot.

We came down to LA for Cine Gear Expo, a two-day showcase of all manner of production things: grip gear, lighting, camera accessories, and so on.

It is quite literally the hottest equipment show around…

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