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Lights Camera Action
Written by a collection of the best writers in the industry
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Sunday, January 29, 2012
Jeff Foster | 01/29- 02:15 AM
Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software
Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs. Sure, there are a lot of high-end (expensive to rent) systems for two cameras to shoot, software to sync/mux the footage and rigs you can build to edit it, but GoPro has brought it together with a fun and easy-to-use system that anyone can use.
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Monday, January 23, 2012
Jeff Foster | 01/23- 11:05 PM
from the “Green Screen Workshop: The Setup” series
There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting setup you’re going to require. Will it be in a studio? On-location? Indoors or outdoors? Full-length with walk-ons or just a talking head? Will your actors be making contact with the screen? These are all questions covered in this video lesson from my Green Screen Workshop series - this is a FREE video lesson, so enjoy!
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Sunday, January 22, 2012
Jeff Foster | 01/22- 02:09 PM
By Barry Andersson and Janie L. Geyen
There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally clueless about the process or where to even start - thus making every mistake in the book in the process. The DSLR Filmmaker’s Handbook: Real World Production Techniques (Sybex ISBN 978-0-470-87660-2) aims to help you get started with not only the basics of using the gear, but also the film-making production process in a visual overview - PLUS some very cool tips & tricks.
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Page 1 of 1 pages
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Clint Milby
Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Clint Milby
SNL Veteran, Talks About Using the C300 For Network Television…
Scott Simmons
A big update adds multicam, manual relinking, broadcast monitoring and the ability to move a project over from FCP7
Allan Tépper
Why are William Riker and Leo Laporte involved in a Pegasus cover-up?
Allan Tépper
The high-performance video RAID5 you need for today’s modern Mac-based video editing systems
Chris and Trish Meyer
An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.
Rich Young
News on tutorials, scripts, plug-ins, demos, and more.
Matt Jeppsen
Why you probably don’t need a 4K TV in your living room
Art Adams
Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.
Jeff Foster
Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software
David Torno
Create a text layer that randomly cycles through words.
Adam Wilt
BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.
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Clint Milby | 01/31- 11:59 PM
Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Due to changes in camera technology, it’s now become possible to colorgrade on set instead of having to transfer it to another facility. Many DIT’s are using systems that empower cinematographers to apply the 3D color space on set.
Clint Milby | 01/31- 11:24 PM
SNL Veteran, Talks About Using the C300 For Network Television…
Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to show off their latest innovations to a very engaged crowd.
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