ProVideo Coalition.com: Lights Camera Action by PVC Contributors

Sign up for newsletters the power of many PRO COALITIONS VIDEO AUDIO PHOTO



Login Register Member List Advanced Search

Lights Camera Action Written by a collection of the best writers in the industry November 2008 May 2008 March 2008 Complete Archives Category Archives When 25p beats 24p… Two Compleat Idiots Discuss RED Post Discussing RED, uncensoRED	Monday, November 03, 2008 When 25p beats 24p… Allan Tépper \| 11/03- 03:50 PM How to pick the best workflow… and the best version of a “segregated” camcorder to avoid being Twisted into knots There are many times when it makes more sense to shoot and edit video at 25p than at 24p, regardless of the final framerate(s) to be delivered to various distribution formats, even if you live in an NTSC (or ex-NTSC) country. You may know that “24p” video is almost always really recorded at 23.976p (although Apple and some camera manufacturers often like to round it to “23.98p”). This article is about: Why and when you would want to shoot low framerate video at all. In many of those cases, why it often makes more sense to shoot and edit at 25p instead of 23.976p. The reasons why with certain “segregated” camcorders, you are much better off purchasing or renting the 25p/50Hz version, even if you live in an NTSC or ex-NTSC country. 25p workflows: How to go from your 25p universal master to all imaginable output formats. more » (2) Comments • Most recent comments by: jumpcut, jf_leduc, • Permalink Monday, May 12, 2008 Two Compleat Idiots Discuss RED Post Adam Wilt \| 05/12- 05:12 PM On exposure, grading, free vs. paid-for tools, NDs, and the “revolution” Art and Adam discuss the aftermath of the Wii spec spot and Art’s venture into RED post… more » Cameras • Post Production • Production • (11) Comments • Most recent comments by: Art Adams, davhud, Adam Wilt, Dustin Cross, Jeff, Adam Wilt, Rob, Stephen Webb, Graham Futerfas, Rob, • Permalink Sunday, March 16, 2008 Discussing RED, uncensoRED Adam Wilt \| 03/16- 08:09 PM Two camera guys debate a new tool Context: Adam shot some RED footage on Friday 7 March, as part of a camera comparison, and took the raw files home to play with. Art shot a quick test with the same camera six days later. The following email conversation ensued… more » (3) Comments • Most recent comments by: Mike Curtis, Ajit, Mike Curtis, • Permalink Page 1 of 1 pages	3D Audio Budgeting Business Cameras Distribution Editing Hardware Interactive Lighting Motion Graphics NAB '08 Pre-Production Production Post Production Training Visual Effects TRULY native Red support in Final Cut Studio…finally! Mike Curtis \| 11/20- 11:11 PM *Well, rewrappered QTs - as native as P2 is…* Apple and Red have teamed up to support native (OK, rewrapped QTs, akin to how P2 is handled) .R3D support… How to Fix Apple Compressor Richard Harrington \| 11/20- 06:39 PM *New software to fix a cranky app* If you’ve ever had issues launching Apple’ Compressor software, you’re not alone. The software seems to frequently get… Why Pro Res Should Be Your Only Res & The AJA IoHD Part 1 Kevin P. McAuliffe \| 11/20- 09:24 AM *Unboxing the AJA IoHD, and setting up* I thought that for this next article series, I would take a look at Apple’s biggest addition to Final Cut Studio… Advertisements