Thursday, January 13, 2011

A Look Back on 2010

Terence Curren | 01/13- 03:24 PM

Take a look back on what changed in 2010: cheaper (and great) technology, large sensors, 3D, the state of the business, distribution options and more.

In this episode of the Terence and Philip Show – with able assistance from Secret HQ’s Greg Huson – take a look back on what changed in 2010 from our perspective.

There’s a lot in this show from Resolve to dissolve.

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Thursday, January 01, 2009

Getting Animated About Human Rights

Chris Meyer | 01/01- 03:01 AM

A stunning animation brings a simple text document to life.

I greatly admired this video when I first saw it during the past election season, but could never carve out time to write about it. Perhaps this will serve as a good way to finish off the holiday season and kick off the New Year, both creatively and spiritually.

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Tuesday, December 30, 2008

What AE’s Still Missing…

Chris and Trish Meyer | 12/30- 12:05 AM

...plus where to find it from third-party vendors.

We had an idea here on PVC that we would make lists of what has been most interesting this previous year, and what we anticipate in the new year ahead. Several of us planned to write these, but unfortunately few of us have so far. You know - we’ve been busy with work, the holidays, and such. After all, there’s only so much a person can do.

Well, it’s the same for many software tools as well, such as our main tool After Effects. AE CS3 was (in our opinion) one of the best updates ever for motion graphics artists, and AE CS4 has its charms (here is our roundup of the new features that caught our eye; here is Todd Kopriva’s more comprehensive list). Still, there are many features that remain unimplemented or underimplemented - because either resources weren’t available, a new feature caught a programmer’s eye, or not enough people have jumped up and down screaming for the feature we personally want.

Following are some of the features we’re still waiting for. As we have a personal policy of “you’re not allowed to complain about something unless you are also willing to offer a solution,” we’ll also mention some ideas for cheats and workarounds inside AE, from third parties, and in alternate applications such as Apple’s Motion. The first two pages will focus on issues in 3D space, and then we’ll move onto issues such as mask shapes and text.

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Sunday, December 21, 2008

New Year’s Resolution List

Steve Hullfish | 12/21- 01:40 PM

Things to pledge to do - and NOT to do - next year!

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So the grand poobahs at ProVideoCoalition wanted all of us gurus to write a few year end lists. There are all kinds of things that are important to editors and video professionals that could be turned into lists: plug-ins, equipment, innovative productions.

My list is of none of these things. But hopefully, it will be even more helpful and valuable. Oftentimes I get called in to fix projects that have been started by other editors, so I see a lot of other people’s work. There are a few common mistakes that I see over and over again. So welcome to “My New Year’s Resolution List of Mistakes That You Should Avoid Next Year.” Some are technical. Some are creative. And some are business mistakes or client relationship mistakes. There are also a few positive “to dos” to add to your New Year’s Resolution list.

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Friday, December 12, 2008

SlashCAM’s Camcorder Database

Adam Wilt | 12/12- 12:21 AM

Test results with images, to compare and contrast.

Our minders here at PVC have been gently encouraging us to write up “holiday lists”. They say, “people love lists—so publish a list already, or we’ll send the holiday ravens ‘round to peck out your eyeballs!” Well, I ain’t got no list (yet), but the folks at slashCAM have posted a database of over 80 camcorders, so you can compare and contrast ‘em based on your own particular criteria, and make your own danged list.

more »

Thursday, December 04, 2008

Ultimate Insider Gifts

Chris Meyer | 12/04- 10:02 PM

Obscure (and cheap) gifts for the industry friend who has everything.

Shopping for holiday gifts? For a peer or co-worker who already has every book, video, and plug-in imaginable? And don’t want to go broke in the process? Here are a couple of gift ideas guaranteed to impress (or at the very least, puzzle) that favorite nerd in your life:

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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


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