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Faster than real time HD to HD encoding on single server, new features on FlipFactory 6.1
New FS-5 direct to edit recorder introduces groundbreaking wireless metadata technology
Slow motion and instant replay are at your fingertips with TimeWarp for TriCaster™ and VT[5]™
HD, royalty-free footage of Los Angeles
Award-winning studio adopts BodyPaint 3D on feature film, “The Incredible Hulk”
Enhancing video editing workflow
Playback software for images and film sequences
Alfacam providing trucks for 2008 Beijing Olympic Games’ HD coverage
Lighting plugin package is first in new Simulate series
Video learning tools popular with modo community
Delivers Hi-Def video up to 500 meters
On2’s products address demand for rich video experience
HP DreamColor Display less than a quarter of cost of competing offerings
HD Log for Apple platform and TEP HD for Windows
While I tend to be a pretty conservative editor, the time comes for all of us when we need some flashy effects to grab a viewer. Light blasts, aggressive color effects, blur transitions and the like can be powerful tools when used in the right places. Problem is, few editing applications come with these effects pre-programmed, and the software used to create the eye candy often carries a steep learning… more »
I think Chris Meyer got this one wrong…
I really like reading Chris & Trish Meyer’s stuff. I certainly wish I had a list of credits as long as theirs. And they are nice folks to boot. But in my humble opinion, Chris’ post on this page, entitled “A Retro View Of The Future,” misses the mark by a long shot.
Shooting “jazz style” on a Rob Nilsson feature
Day 0 - Finishing up our preproduction for Rob Nilsson’s film, “Maelstrom”, Tim and I head up to San… more »
Equipment doesn’t make the image; people do. I proved this on a music video recently where we had more people than equipment.
more »
Red Build 16 and Ben Buttons trailer
Quick note on some things:
a.) Busy, not dead. Waaaaaaaay busy.
b.) The trailer is (finally) out for The Curious Case of Benjamin Button, which was shot digitally on the Viper, recorded to S.two recorders. I’ve been working with the vendor that provided the gear, it is nice to see what masters of the game (director David Fincher, DoP Claudio Miranda) can do with digital tools when they commit and know EXACTLY what they are doing.
c.) Red Build 16 is imminent, and it is a Big Deal for those tracking Red. Months later than wanted/expected, but major new stuff… more »
We unearth a time capsule and see how predictions for digital television have panned out so far.
Back in the early 90s, I wrote a column on interactive media for Audio/Video Interiors magazine. It was an odd fit; I was writing highly technical, philosophical think pieces, while the magazine was aimed at the most blatant forms of consumerism and instant gratification – but the editor gave me free rein, and it was a fun romp.
I’ve had reason to go clean out my archives recently, and it’s been quite a laugh to read the… more »
A bad day at AH Films (humor)
Ah, sweet 16. How I’ve waited for thee. Finally, a camera I can work with.
In Part 1 of our exploration of Motion’s Order of Operations, or OoO (which you can find here), we…
MCE announces a new installable Blu-ray drive that fits nicely into the Mac Pro and Power Mac bays. According to the release, it doesn’t even require new drivers. Install and go.
…Philip Hodgets has released a PDF (download) handbook via his Pro Apps Tips website that basically covers everything a digital…
Last week, we added a column that was an introduction to Parenting in After Effects. Keeping the theme of “different…
There is a great article in the New York Times about a new ad model being tested by Seth MacFarlane…
While I tend to be a pretty conservative editor, the time comes for all of us when we need some flashy effects to grab a viewer. Light blasts, aggressive color effects, blur transitions and the…
Just saw WALL-E with my son, and in typical Pixar fashion, it is awesome!
Two quick things I found hilarious for the Mac-Geeks out there.
First, there is a character in the film called…
Too many tracks in your Timeline, and you want to scroll up and down quickly? No need to grab the scroll bar on the right edge if you have a three-button mouse. Put the cursor over the Timeline, and…
Wherein I use the Discpainter to print 70 DVDs, with reasonable results.
by Adam Wilt
Sticky: Traveling with batteries, Pro Apps Updaters, etc.
by Mark Christiansen
10 (+1) Reasons Scarlet Changes the Game in 2009
Apple: Does Denying a Rumor Only Validate It?
NAB 2008 Super Session: A Million Dollar Look on a Thousand Dollar Budget
by Chris & Trish Meyer
Welcome to Creating Motion Graphics
Mainstream Media’s new correspondent: YouTube
by Mike Curtis
Making Movies Now - bigger, sometimes better, definitely riskier
The very, very serious problem with democratization of technology in moviemaking
WOW. Reason to want to make movies
Panavision & Canon videos on “Demystifying Digital Camera Specifications”
by Bruce A. Johnson
Now I Know The RED Is For Real!
by Chris & Trish Meyer
Key Concepts from the Archives
Just Added: Introduction to Expressions in After Effects
Recently Added: Introduction to Parenting in After Effects
by Art Adams
RED Build 16: A Camera Whose Time Has Come
by Adobe Staff
Skillfully Talented or Talentedly Skillful
The power of your personal networks—virtual and real
Creating interactive web video with a tool you already know and use.
by Jim Feeley
RED ONE audio performance evaluated
elsewhere- VFX for Flight of the Conchords
elsewhere- Finishing a feature with Colorista and Magic Bullet
Apple posts FCP dropped frames “causes and solutions” document
WALL-E Rocks – Two Great Mac Jokes
Special Episode of Layers TV on Production Premium CS3