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crowd sourcing the experts |
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Mark ChristiansenMark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. 
Adobe Media Encoder - another hidden gem?After Effects Script of the Week: Add Parented Null to Each Selected LayerUse Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5After Effects Script of the Week: Tracker2MaskAfter Effects Script of the Week: rd_MergeProjectsAfter Effects Script of the Week: Get Sh*t DoneAfter Effects Script of the Week: pt PanoramaAfter Effects Script of the Week: pt TextEditAfter Effects Script of the Week: Change Render LocationsAfter Effects Script of the Week: pt ExpressEditAfter Effects Script of the Week: MochaImportAfter Effects Script of the Week: KeyTweakAfter Effects Script of the Week: pt EffectSearchAfter Effects Script of the Week: ImmigrationScript of the Week: Shortcut Key ReferenceScript of the Week: True Comp DuplicatorScript of the Week: 3D ExtruderScript of the Week: BG RendererIntroducing: After Effects Script of the WeekRed Giant’s newest Plot Device: Magic Bullet Looks 2Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5Premiere Pro for DSLR in a few easy stepsASSIMILATE announces Mac support for SCRATCH, updates product line and pricesAfter Effects CS5.5 in ProductionASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
December 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011August 2010July 2010April 2010March 2010December 2009October 2009August 2009July 2009June 2009April 2009March 2009February 2009November 2008September 2008August 2008July 2008May 2008April 2008March 2008February 2008January 2008December 2007October 2007May 2007Complete Archives |
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Online Post-Production Management with ShotRunner2 specialized alternatives to Basecamp are in late beta and already in use in production. Here’s my experience using one of them
The days of cobbling together a database to track shots, assets and progress are numbered. Although nowadays it has become common for many post-production projects to be managed with Basecamp, it’s an application hardly specialized to our industry. Two web based tools currently in late beta anticipate the needs of post production more directly. Shotgun has been adopted at large facilities around the world and will be profiled separately; this article focuses on ShotRunner, and my own experiences using it as a visual effects supervisor on a pair of feature films. more » Page 1 of 1 pages Advertisement |
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Motion Graphics: Friday Inspiration
Notes From The motion09 Conference in Albuquerque, New Mexico
Getting inspired by watching motion graphics design and visual effects on TV or the web is one thing. Getting to hear from and hang out with the artists who create the outstanding work we see in motion picture title sequences, trailers, broadcast design packages, games and commercials is quite another.
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