Mark Christiansen

Mark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest.

Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College.

Adobe Media Encoder - another hidden gem?
After Effects Script of the Week: Add Parented Null to Each Selected Layer
Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5
After Effects Script of the Week: Tracker2Mask
After Effects Script of the Week: rd_MergeProjects
After Effects Script of the Week: Get Sh*t Done
After Effects Script of the Week: pt Panorama
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After Effects Script of the Week: Change Render Locations
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Script of the Week: Shortcut Key Reference
Script of the Week: True Comp Duplicator
Script of the Week: 3D Extruder
Script of the Week: BG Renderer
Introducing: After Effects Script of the Week
Red Giant’s newest Plot Device: Magic Bullet Looks 2
Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5
Premiere Pro for DSLR in a few easy steps
ASSIMILATE announces Mac support for SCRATCH, updates product line and prices
After Effects CS5.5 in Production
ASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
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Friday, April 03, 2009

Tip: Create Cinematic Motion Blur in After Effects (and in life)

A 180 degree shutter says, “Cinema.” Here’s how it works.

Quick: what’s the difference between shutter speed and frame rate? You might be surprised that there are even a few camera operators don’t even know the answer to that one. Frame rate is the number of frames per second that are shot (or displayed). Shutter speed is the amount of time that the frame is actually exposed to light, and thus, the amount of motion blur contained in that shot.

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Thursday, April 02, 2009

Tip: Render Faster & Smarter in After Effects with BG Renderer

This free script will add tons of value to your multiprocessor system

My only assumption with this tip is that you use Adobe After Effects CS4 (or even CS3) on a multi-processor machine, Mac or Windows. Beyond that:

  • maybe you only have one main machine and often face the dilemma of wanting to render while continuing to work
  • perhaps you monitor your system’s performance carefully and have noticed that your After Effects renders don’t always peg all of the processors
  • possibly you own or have owned a copy or copies of Gridiron Software’s Nucleo Pro and have experienced the joy of background rendering in After Effects already. However you’re not experiencing that joy in CS4, because Gridiron has been too busy with another little project to update it.
  • It could even be that you are aware that you can kick off an After Effects render in a shell (Terminal on Mac, DOS on Windows), allowing you to render without the GUI, and thus keep working. If so, if you’re like 99% of visual artists, you’re not that fond of memorizing, typing or optimizing code.

If any or all of these is true, get ready to buy Lloyd Alvarez a beer, because he offers the answer to all of these and more.  Lloyd’s site is home of many useful tools, another of which may appear in this space this month, but as my first true tip of the month I wish to promote his most infinitely valuable script. And I say infinitely valuable because BG Renderer is offered free, a 100% discount off the alternatives.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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