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Mark ChristiansenMark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. 
Adobe Media Encoder - another hidden gem?After Effects Script of the Week: Add Parented Null to Each Selected LayerUse Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5After Effects Script of the Week: Tracker2MaskAfter Effects Script of the Week: rd_MergeProjectsAfter Effects Script of the Week: Get Sh*t DoneAfter Effects Script of the Week: pt PanoramaAfter Effects Script of the Week: pt TextEditAfter Effects Script of the Week: Change Render LocationsAfter Effects Script of the Week: pt ExpressEditAfter Effects Script of the Week: MochaImportAfter Effects Script of the Week: KeyTweakAfter Effects Script of the Week: pt EffectSearchAfter Effects Script of the Week: ImmigrationScript of the Week: Shortcut Key ReferenceScript of the Week: True Comp DuplicatorScript of the Week: 3D ExtruderScript of the Week: BG RendererIntroducing: After Effects Script of the WeekRed Giant’s newest Plot Device: Magic Bullet Looks 2Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5Premiere Pro for DSLR in a few easy stepsASSIMILATE announces Mac support for SCRATCH, updates product line and pricesAfter Effects CS5.5 in ProductionASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
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After Effects Script of the Week: MochaImportMuch more than a workflow enhancer, this one unlocks new possibilities for using mocha for After Effects
My number one tip for anyone who needs to do tracking in After Effects is to break open the installation of mocha for After Effects (or “mocha AE”) that ships with the application (and has since CS4). Nominally a “planar tracker” used for screen replacements and so on, it can actually be used to track just about anything with more intelligence than the point tracker built in to After Effects. The thing that keeps most people from doing this is: a. they do not know that mocha AE is included with After Effects Let’s consider (a) solved, assuming you read the first paragraph, and resources are available to address (b). That leaves (c). more »Page 1 of 1 pages Advertisement |
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After Effects Script of the Week: MochaImport
Much more than a workflow enhancer, this one unlocks new possibilities for using mocha for After Effects
My number one tip for anyone who needs to do tracking in After Effects is to break open the installation of mocha for After Effects (or “mocha AE”) that ships with the application (and has since CS4). Nominally a “planar tracker” used for screen replacements and so on, it can actually be used to track just about anything with more intelligence than the point tracker built in to After Effects. The thing that keeps most people from doing this is:
a. they do not know that mocha AE is included with After Effects
b. they don’t know how to use mocha AE
c. they don’t know what to do with the tracking or corner pin data once it’s generated
Let’s consider (a) solved, assuming you read the first paragraph, and resources are available to address (b). That leaves (c).
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