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Mark ChristiansenMark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. 
Adobe Media Encoder - another hidden gem?After Effects Script of the Week: Add Parented Null to Each Selected LayerUse Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5After Effects Script of the Week: Tracker2MaskAfter Effects Script of the Week: rd_MergeProjectsAfter Effects Script of the Week: Get Sh*t DoneAfter Effects Script of the Week: pt PanoramaAfter Effects Script of the Week: pt TextEditAfter Effects Script of the Week: Change Render LocationsAfter Effects Script of the Week: pt ExpressEditAfter Effects Script of the Week: MochaImportAfter Effects Script of the Week: KeyTweakAfter Effects Script of the Week: pt EffectSearchAfter Effects Script of the Week: ImmigrationScript of the Week: Shortcut Key ReferenceScript of the Week: True Comp DuplicatorScript of the Week: 3D ExtruderScript of the Week: BG RendererIntroducing: After Effects Script of the WeekRed Giant’s newest Plot Device: Magic Bullet Looks 2Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5Premiere Pro for DSLR in a few easy stepsASSIMILATE announces Mac support for SCRATCH, updates product line and pricesAfter Effects CS5.5 in ProductionASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
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After Effects Script of the Week: pt TextEditThis script makes text changes, even on a large scale, almost straightforward. Motion graphics involves strange things sometimes, and in particular, text can animate here, there, anywhere, sometimes en masse. Not only is there no limit to the volume of text you might use in an After Effects animation, many designs are based around a kind of theme and repetition. There might be a single word or phrase that is animated a certain way, and then that animation changes slightly over time, and as it is repeated. And when something fundamental like the phrasing, typeface, color or size changes, editing each instance can be a serious pain. Not only does this present a large volume of changes that demand that you attend to them one-by-one, but even selecting the text to replace what’s in the field can be challenging if, for example, it is arrayed and rotated in 3D space. That piece of text might not even be displayed except at a particular time. pt TextEdit provides several features that you might expect to find in After Effects itself. It can search on a text string to locate all instances of a given word, phrase, or set of letters, limiting the search only to the current comp or any or all comps within a project. It can look for all text layers that use a particular font, for those pesky (and perennial) cases where the client hasn’t supplied the correct font. more »Page 1 of 1 pages Advertisement |
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After Effects Script of the Week: pt TextEdit
This script makes text changes, even on a large scale, almost straightforward.
Motion graphics involves strange things sometimes, and in particular, text can animate here, there, anywhere, sometimes en masse. Not only is there no limit to the volume of text you might use in an After Effects animation, many designs are based around a kind of theme and repetition. There might be a single word or phrase that is animated a certain way, and then that animation changes slightly over time, and as it is repeated.
And when something fundamental like the phrasing, typeface, color or size changes, editing each instance can be a serious pain. Not only does this present a large volume of changes that demand that you attend to them one-by-one, but even selecting the text to replace what’s in the field can be challenging if, for example, it is arrayed and rotated in 3D space. That piece of text might not even be displayed except at a particular time.
pt TextEdit provides several features that you might expect to find in After Effects itself. It can search on a text string to locate all instances of a given word, phrase, or set of letters, limiting the search only to the current comp or any or all comps within a project. It can look for all text layers that use a particular font, for those pesky (and perennial) cases where the client hasn’t supplied the correct font.
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