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Mark Christiansen Mark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. December 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 August 2010 July 2010 April 2010 March 2010 December 2009 October 2009 August 2009 July 2009 June 2009 April 2009 March 2009 February 2009 November 2008 September 2008 August 2008 July 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 October 2007 May 2007 Complete Archives Category Archives Adobe Media Encoder - another hidden gem? After Effects Script of the Week: Add Parented Null to Each Selected Layer Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5 After Effects Script of the Week: Tracker2Mask After Effects Script of the Week: rd_MergeProjects After Effects Script of the Week: Get Sh*t Done After Effects Script of the Week: pt Panorama After Effects Script of the Week: pt TextEdit After Effects Script of the Week: Change Render Locations After Effects Script of the Week: pt ExpressEdit After Effects Script of the Week: MochaImport After Effects Script of the Week: KeyTweak After Effects Script of the Week: pt EffectSearch After Effects Script of the Week: Immigration Script of the Week: Shortcut Key Reference Script of the Week: True Comp Duplicator Script of the Week: 3D Extruder Script of the Week: BG Renderer Introducing: After Effects Script of the Week Red Giant’s newest Plot Device: Magic Bullet Looks 2 Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5 Premiere Pro for DSLR in a few easy steps ASSIMILATE announces Mac support for SCRATCH, updates product line and prices After Effects CS5.5 in Production ASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support		2011 December Adobe Media Encoder - another hidden gem? October After Effects Script of the Week: Add Parented Null to Each Selected Layer Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5 After Effects Script of the Week: Tracker2Mask After Effects Script of the Week: rd_MergeProjects After Effects Script of the Week: Get Sh*t Done September After Effects Script of the Week: pt Panorama After Effects Script of the Week: pt TextEdit After Effects Script of the Week: Change Render Locations After Effects Script of the Week: pt ExpressEdit August After Effects Script of the Week: MochaImport After Effects Script of the Week: KeyTweak After Effects Script of the Week: pt EffectSearch After Effects Script of the Week: Immigration Script of the Week: Shortcut Key Reference July Script of the Week: True Comp Duplicator Script of the Week: 3D Extruder Script of the Week: BG Renderer Introducing: After Effects Script of the Week June Red Giant’s newest Plot Device: Magic Bullet Looks 2 Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5 May Premiere Pro for DSLR in a few easy steps April ASSIMILATE announces Mac support for SCRATCH, updates product line and prices After Effects CS5.5 in Production ASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support 2010 August Foundry Releases CameraTracker and Kronos 5.0 Plug-ins for After Effects July Innovation and Cinema 4D Part Two: William Dudley on Virtual Sets Innovation and Cinema 4D Part One: William Dudley and Peter Pan 360° Pixel Farm to Launch “Radical New Approach to Tracking” at SIGGRAPH April The Foundry unveils 3D Camera Tracker for After Effects March Is a Visual Effects Guild to Materialize this Decade? 2009 December Smoke Gets On Your Mac October Online Post-Production Management with ShotRunner August The Foundry releases Rolling Shutter for After Effects & Nuke AEScripts.com revamped as a comprehensive script destination site July Training: Visual Effects for Directors VLC Goes 1.0 Is Nuke the new Shake? June GridIron Flow Ships with Surprise Additions April Tip: Force an After Effects Render to Fail (and Save!) on a Mac Tip: Force an After Effects Render not to Fail Convert RED Camera R3D Footage Losslessly, Painlessly, Confidently NAB 2009 RED Reel Online Tip: Use More than One Processor with Apple Compressor Tip: Browse After Effects Scripts as if Looking for Plug-ins Tip: Play Anything – YouTube included - in QuickTime Mac with Perian NAB 2009 - The Foundry Demos 3 Upcoming Versions of Nuke Tip: Preview a Chapter of After Effects Studio Techniques, Gratis Tip: Measure Drive Performance for Video on a Mac with HD Speed Test Tip: The Feature Most Missing Until After Effects CS4 Tip: Monkey Extract Painlessly Converts R3D to QuickTime or Sequences Tip: Shift Habits, Control Energy Use, Eject Waste Tip: Track a Mask in After Effects with TrackerViz Tip: Display Timecode or Frames in QuickTime Pro Tip: Warped Friday Tip: CS4 Update Actually Gets You All the Way from FCP to After Effects Incredible: Carousel Tip: Render the Impossible via Proxies in After Effects Tip: Double-click to Open R3D in REDAlert with RedPortal Tip: Add “Missing” Finder Tools Tip: Split a Layer into a Grid in After Effects Tip: Get QuickTime Looking Right Without Re-Rendering Tip: Linear Blending at Any Color Depth in After Effects Tip: Make use of 21st Century Copyright Laws to Secure Elements Has the Demise of Film Been Hastened by the Impending Actors’ Strike? Tip: Send After Effects 3D animation data to Cinema 4D (or Maya, Max, Lightwave…) Tip: Apply Color Adjustments to RED QuickTimes Tip: Use iChat to McGyver Back to your Mac Tip: Locate Missing Effects in After Effects CS4 Tip: Debug QuickTime Pro Tip: Create Cinematic Motion Blur in After Effects (and in life) Tip: Render Faster & Smarter in After Effects with BG Renderer April is Tip Month March 5 Tips to Maintain Sanity in RED Post February And the VFX Oscar goes to… Red Giant Warp: Get more out of MochaAE 2008 November 10 (+1) Reasons Revisited: is Scarlet Still Even a Prosumer Product? September 3D Objects from Photoshop in After Effects CS4 August China, Spectacle, Fakery July Why QuickTime is the US Dollar of Digital Video May 10 (+1) Reasons Scarlet Changes the Game in 2009 April 3D Display at NAB Apple: Does Denying a Rumor Only Validate It? NAB 2008 Super Session: A Million Dollar Look on a Thousand Dollar Budget March Here Comes Hulu Creative License Renewed! Star Wars Main Title (as if by Saul Bass) February Golden Compass: First Flop to win VFX Oscar in Nearly a Decade Adobe’s Magic 3D Lens Recreating 1970’s San Francisco: Contrasting Approaches January Adobe Hacker Effects 2007 December Flat Earth VFX This Revolution Will (by definition) Be Televised October Fun with Gamma, Quicktime and After Effects May Mythbusting		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse Art Adams \| 05/24- 11:24 AM *Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…* I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Todd_Kopriva \| 05/22- 12:31 PM *Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.* In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition Chris and Trish Meyer \| 05/21- 08:53 AM *...plus an update on what’s next for the Apprentice series.* As… Advertisements

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