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Mark ChristiansenMark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. 
August 2008July 2008May 2008April 2008March 2008February 2008January 2008December 2007October 2007May 2007Complete ArchivesCategory Archives
China, Spectacle, FakeryWhy QuickTime is the US Dollar of Digital Video10 (+1) Reasons Scarlet Changes the Game in 20093D Display at NABApple: Does Denying a Rumor Only Validate It?NAB 2008 Super Session: A Million Dollar Look on a Thousand Dollar BudgetHere Comes HuluCreative License Renewed!Star Wars Main Title (as if by Saul Bass)Golden Compass: First Flop to win VFX Oscar in Nearly a DecadeAdobe’s Magic 3D LensRecreating 1970’s San Francisco: Contrasting ApproachesAdobe Hacker EffectsFlat Earth VFXThis Revolution Will (by definition) Be TelevisedFun with Gamma, Quicktime and After EffectsMythbusting |
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Tuesday, March 11, 2008Here Comes HuluNetwork Television Finally Reaches the Web Legally As I type this, Hulu is temporarily closed as it is prepared for public roll-out on Wednesday.
What, you might ask if you’re too busy creating images to watch them on a beta website, is Hulu? As best I can tell, it is an attempt by network television - specifically NBC, although other networks are apparently invited to join (and ABC and CBS have not as of yet) - to take control of how its content - its shows - can be viewed online. Not offline - this is not IPTV, where you can order up a show to watch on your 50 inch plasma - instead, it’s a direct response to YouTube as the online home of every type of video. Instead of continuing only to demand the removal of network shows from other services, Hulu attempts to be the place to go to get them, and it makes its money back via advertising. In some ways it’s a brand-new model, and inevitably in other ways it looks an awful lot like the old model.
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Here Comes HuluNetwork Television Finally Reaches the Web Legally As I type this, Hulu is temporarily closed as it is prepared for… Advertisements |
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