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Mark ChristiansenMark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest. Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College. 
Adobe Media Encoder - another hidden gem?After Effects Script of the Week: Add Parented Null to Each Selected LayerUse Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5After Effects Script of the Week: Tracker2MaskAfter Effects Script of the Week: rd_MergeProjectsAfter Effects Script of the Week: Get Sh*t DoneAfter Effects Script of the Week: pt PanoramaAfter Effects Script of the Week: pt TextEditAfter Effects Script of the Week: Change Render LocationsAfter Effects Script of the Week: pt ExpressEditAfter Effects Script of the Week: MochaImportAfter Effects Script of the Week: KeyTweakAfter Effects Script of the Week: pt EffectSearchAfter Effects Script of the Week: ImmigrationScript of the Week: Shortcut Key ReferenceScript of the Week: True Comp DuplicatorScript of the Week: 3D ExtruderScript of the Week: BG RendererIntroducing: After Effects Script of the WeekRed Giant’s newest Plot Device: Magic Bullet Looks 2Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5Premiere Pro for DSLR in a few easy stepsASSIMILATE announces Mac support for SCRATCH, updates product line and pricesAfter Effects CS5.5 in ProductionASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
December 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011August 2010July 2010April 2010March 2010December 2009October 2009August 2009July 2009June 2009April 2009March 2009February 2009November 2008September 2008August 2008July 2008May 2008April 2008March 2008February 2008January 2008December 2007October 2007May 2007Complete Archives |
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Is Nuke the new Shake?Weta becomes the latest big VFX house to license The Foundry’s compositing app.
A series of press releases from The Foundry since NAB have marked major steps forward for Nuke as the emerging software leader for visual effects compositing. The latest of these is this morning’s news that Weta Digital has invested in a Nuke site license, less than a month after ILM announced the same. During that time the Nuke founder/developers managed to reacquire ownership of the software in what may have appeared from the outside like a confusing flip-flop of assets between Digital Domain and Foundry. The bottom line seems to be that the people who make Nuke have secured control of its destiny for the forseeable future, and major studios have responded by investing in that future. more » Page 1 of 1 pages Advertisement |
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