The changing landscape of CS5 for Broadcast (part 2)As I spoke previously, the landscape of broadcast has been changing. That perfect storm of change is forcing broadcasters to think differently about the how’s and why’s to get media out. As a recap, here are several of the issues facing media outlets today: |
AJA + Adobe = Great High-End WorkflowsI’ll be the first to admit that I don’t have the privilege of getting to work with high-end workflows all of the time. I go from everything to DV to Film 4K and everything in between, but clearly SD and compressed HD workflows predominate what we do. However, I have to say that I’ve been really intruiged with what AJA offers for Adobe products - all that you would expect and a whole bunch extra. Read on to… |
Adobe previews next generation of post production softwareSAN JOSE, Calif. and AMSTERDAM, Netherlands — Sept. 10, 2008 — At IBC2008 Adobe Systems Incorporated (Nasdaq:ADBE) is showcasing advanced video and new media technologies that are enabling broadcasters and media professionals to create, deliver, and monetize dynamic media across disparate platforms and devices. Highlights of the show include previews of the next version of Adobe® Creative Suite® Production Premium and Adobe Flash®… |
RED Workflow ReduxI might be just winging it, but darned if it don’t work!
I haven’t yet found a manual for working with RED footage. The methods that I’ve discovered have been cobbled together by searching through thousands of posts on Reduser.net (which has a very low signal-to-noise… |
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