(Page 1 of 1 pages for this article )

Friday, April 24, 2009

Filed under: NAB 09

NAB 2009 - The Foundry Demos 3 Upcoming Versions of Nuke

Mark Christiansen | 04/24

Compositing software will soon have many new features.

At a private demo on Wednesday, Matt Plec demonstrated several of the major new features that will be in Nuke 5.2 and 6, as well as the new NukeX. Here’s what I learned.

Version 5.2

Nuke 5.2 has a few major features for a dot-release, including the first one listed here, which I wish were in certain other compositing applications:

  • pre-comping via an outside project - update the upstream comp and the changes ripple into all projects using it
  • native playback of R3D
  • expanded support for 1D and 3D LUTs and OpenGL
  • video monitor output via Blackmagic, Aja Kona and Xena
  • expanded Python and medadata capabilitiies

Nuke 5.2 is scheduled to be released later this quarter.

Version 6.0

The most salient upgraded features in version 6 are said to be the roto and paint tools, which will have a more powerful UI for controlling unlimited masks and strokes, per-vertex feather, per-shape motion blur, support for keyframe animation and tracking, and more.

Nuke 6.0 is scheduled for a third quarter 2009 release.

NukeX

There was also an overview of the special NukeX release, aka “Nuke Pro” or version 6x, which incorporates The Foundry’s own Furnace Core toolset, along with Keylight and a built-in 3D Tracker supported by an automatic lens distortion tool.

Related to that was something completely new to any commercial software, specially debuted by Simon Robinson: the first automated tool for removal of rolling shutter artifacts. Even when not immediately apparent these “jello vision” wobbles due to sensor scan lag are a matchmoving nightmare, so this tool nicely complements a built-in tracker.

NukeX 6.0 will be a free upgrade to owners of a valid maintenance contract at the time of release, which is also scheduled for third quarter 2009.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Adobe Media Encoder - another hidden gem?
After Effects Script of the Week: Add Parented Null to Each Selected Layer
Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5
After Effects Script of the Week: Tracker2Mask
After Effects Script of the Week: rd_MergeProjects
After Effects Script of the Week: Get Sh*t Done
After Effects Script of the Week: pt Panorama
After Effects Script of the Week: pt TextEdit
After Effects Script of the Week: Change Render Locations
After Effects Script of the Week: pt ExpressEdit
After Effects Script of the Week: MochaImport
After Effects Script of the Week: KeyTweak
After Effects Script of the Week: pt EffectSearch
After Effects Script of the Week: Immigration
Script of the Week: Shortcut Key Reference
Script of the Week: True Comp Duplicator
Script of the Week: 3D Extruder
Script of the Week: BG Renderer
Introducing: After Effects Script of the Week
Red Giant’s newest Plot Device: Magic Bullet Looks 2
Free Stereo Footage from Artbeats, and an After Effects tutorial showing how to use it in CS5.5
Premiere Pro for DSLR in a few easy steps
ASSIMILATE announces Mac support for SCRATCH, updates product line and prices
After Effects CS5.5 in Production
ASSIMILATE SCRATCH first out of the gate with RED Epic HDRx support
Foundry Releases CameraTracker and Kronos 5.0 Plug-ins for After Effects
Innovation and Cinema 4D Part Two: William Dudley on Virtual Sets
Innovation and Cinema 4D Part One: William Dudley and Peter Pan 360°
Pixel Farm to Launch “Radical New Approach to Tracking” at SIGGRAPH
The Foundry unveils 3D Camera Tracker for After Effects







Basic Lighting Setups for Green Screen

Jeff Foster | 01/23

from the “Green Screen Workshop: The Setup” series

There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting…

The subtle VFX work in Black Swan

Matt Jeppsen | 03/17

Good VFX execution that doesn’t draw undue attention

image

The filmmakers of Black Swan have been discussed for the choice to shoot much of the film on 16mm stock, as well as some coverage being shot on the Canon 5D and 7D DSLRs (see

Kicking the tires on The Foundry’s Storm beta

Scott Simmons | 12/05

It’s in beta, it’s buggy but you can see a powerful, well-designed tool inside. Oh the future ...

image

It was a busy week this past week as November changed to December and The Foundry released their long discussed…

After Effects Leftovers - Part 5

ChrisZwar | 10/21

Reheating old features you forgot you had…

image

This 5-part series looks at a selection of features that were in After Effects before CS5 but have been often overlooked.  A total of 40 tips, tricks, workflow suggestions and general reminders…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank